2010, March 31 – PREMIERE OF “THE TANGO SINGER”

“I am sorry to keep saying it, but I don’t love you any more Helena”…psychologists tell us that these are the most painful words that a human being can hear and yet this is exactly what Conrado tells Helena; he is in love with another woman…but Helena is madly in love with him and these simple words destroy her…the words come precisely at the moment that her singing career is about to take off and she has been offered a performance at a prestigious venue in Buenos Aires but she is unable to sing…she becomes a mere shell of her former self, she is hysterical, out of her mind, obsessive, she follows Conrado and telephones him incessantly and finally, the extreme pain leads her to cut herself with broken glass…not unlike the legendary Libertad Lamarque in real life, she hits bottom, loses everything…she finally moves to a small French seaside town where she finds work in a simple bakery confirming Khalil Gibran when he says of love’s pain “he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast”

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“And so I embarked on a long period of research to track down the tangos that not only touched me musically but would also carry, through their  poetry and their emotions and the message of  the film”, said Director Diego Martinez Vignati…perhaps that is why his film “The Tango Singer” is one of the very few films in history that manages to perfectly weave the art of film making with tango music and dancing…The film is punctuated by intense bursts of tango masterfully weaved into the fabric of the film and provide an insight into Helena, brilliantly portrayed by actress Eugenia Ramírez Miori…Vignatti was born 1971 in Bahia Blanca Argentina; the birth place of Carlos Disarli; in fact half of the “The Tango Singer” was filmed there; the other half in Belgium where Vignati has lived since 1997…he graduated from law school in Argentina but studied film at the prestigious INSAS in Brussels…the film features the renown vocalist Oscar Ferrari who passed away soon after making this film...one noted critic said of the film, ”it manages to do what was only attempted by Sally Potter in “The Tango Lesson”, Carlos Saura in “Tango” and Robert Duval in Assassination Tango”.

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CLICK HERE– http://www.youtube.com/watch?v=IddZnvnBEwM&feature=related to see a clip from the film “The Tango Singer”

1920, March 30 – BIRTH OF RAUL BERON

Singer (Airies) – Raul Beron is considered by many as the best tango voice in history and yet in the eyes of cognoscenti, Jose his older brother, had the talent surpass his legendary brother but preferred the bohemian night life …but it wasn’t only these two brothers but the whole family that seemed particularly gifted…their sister Elba for example, would record several hits with the Anibal Troilo Orchestra….they  were the children of Adolfo Manuel Beron, a guitarist and composer who encouraged his children to play and sing; theirs was a household visited by Adolfo’s musician and artist friends….their first taste of stardom occurred when Adolfo organized his five children into “Los Portenitos” which began singing in the cafes of their home town of Zarate…Raul Beron was only ten years old when he formed a duo with his brother Jose; they debuted at the Kity Dance Cabaret in Montevideo  to great acclaim; they were soon singing on the prestigious Radio Belgrano…Raul came to the ear of Jose Razzano who became his mentor and in fact in time Raul developed a Gardelian, baritone style like his hero Carlos Gardel…

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His major break came when Miguel Calo asked him to join his orchestra; he was nineteen years old…his debut at the Club Dancing Singapur was met with to ecstatic applause…on April 29, 1942 he recorded “Al Compas del Corazon” a phenomenal hit; within a span of five months two other hits were to follow, “Lejos de Buenos Aires” and the milonga “Azabache”..the next year he appeared in his first film “Todo Un Hombre”  directed by Pierre Chenal who had narrowly escaped nazi occupied France to move to Argentina…Beron later had brief stints with the orchestras of Lucio Demare and Francini – Pontier with whom he recorded another hit “Remolino”…later he joined the revered Anibal Troilo Orchestra with which he would produce several popular recordings and sing in the film “Mi Noche Triste”…it is interesting to note that in his lifetime he was not as popular as singers like Fiorentino, Rufino and Marino and yet with the passing of time it is Raul Beron who aquires legendary status…..on June 28, 1982 he was scheduled sing at the “Cafe De Los Angelitos” but when his wife went into the bedroom to get him, she found him dead; like his brother Jose and his sister Elba he died relatively young of a heart attack

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1951, March 29 – OSMAR MADERNA’S LAST RECORDING

Saturday afternoon had finally arrived, it was a day he looked forward to all week, his flying day….Osmar Maderna had two loves in his life, music and flying his Eurosocpe 415 CD, a passion he shared with his contemporary Osvaldo Fresedo….the skies over Lomas de Zamora was especially limpid and his fellow pilots were exuberant…flying 200 meters in the air Osmar playfully oscillated the wings at an adjacent pilot as he had done many times before only this time his wing hit the wing of the adjacent plane causing it to lose lift, spiral and hit the ground in a fiery crash…Osmar Maderna, the “Chopin of Tango”, at the pinnacle of his career, was dead at the age of thirty-three years old; just one month earlier he had made his twentieth recording at the RCA Victor Studios…Osmar Maderna was the eighth child of a poor immigrant family in the village of Huajo, Argentina…his father who was a musician was his first piano teacher…from early on young Osmar demonstrated an unusual sensitivity and gift for music…his love of Chopin showed in his subtle, ethereal, romantic touch; at the age of thirteen he put together his first group calling it “Vitaphone”…

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At the age of 20  he arrived in Buenos Aires where he performed on the radio as a soloist playing classical music and some tango…the young prodigy began developing a name for himself; that year he was invited by Miguel Calo to join his orchestra…here he came in contact with three young would-be greats Enrique FranchiniArmando Pontier and Domingo Federico…in 1945 he started start his own orchestra and debuted at the mythical Marzotto Cafe later earning performances at Tango Bar and Radio Belgrano…one year later, he made his first recording, the beautiful instrumental “Chiquè” …some of his most beloved compositions include  ”LLuvia de Estrellas” which shows his love of Chopin’s waltzes and nocturnes and “Concierto En La Luna” which reflects his love of flying but his biggest hit was the waltz “Pequena” with the voice of Hector de Rosas…it was such a massive hit that in the first few months alone there were more than 120 different renditions by different artists…he starred in the film “Al Compas de Tu Mentira” and is credited with having started “Tango Fantasia”

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watch?v=AsdliPd9cFQ to hear the Alfredo de Angelis perform Osmar Maderna’s greatest hit “Pequena” with lyrics by Homero Exposito and the voice of Carlos Dante

1901, March 27 – BIRTH OF ENRIQUE SANTOS DISCEPOLO

Poet, Composer (Aires) – the best doctors of Buenos Aires were mystified… they had no explanation for the strange infection that was slowly withering away the body of Enrique Santos Discepolo….the truth was that he was dying of a broken heart…he had become ostracized for being a Peronista by his friends and fellow artists….they refused to speak with him, he was hooted in theaters and whistled in restaurants, pranks to embarrass the staging of his plays were not uncommon; he went into a deep depression and lost his appetite….but from the very beginning of his career it was the injustice and suffering around him which were precisely the themes of his legendary tangos “Que Vachachè”,  ”Yira, Yira”, “Calambache” which had made them popular all over the world…in his immensely popular radio commentary he said it all in his refrain, “I did not invent Juan Peron, he was born out of your corrupt governments, out of the misery of the poor whom you massacred, out of your cruelty and arrogance”…on 23 December 1951, at 11:20 pm the great poet and composer finally released the grip of the hand of his dear friend Osvaldo Miranda and died; he was fifty years old…

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Enrique Santos Discepolo was born in the neighborhood of “Once” in Buenos Aires to an immigrant father from Napoli who was an accomplished musician…nevertheless, both he and his wife died when Enrique was very young…he was left to the care of a rich, austere uncle who made him wear a tuxedo to dinner; in time a genius would emerge who not only wrote the lyrics to his tangos but the music as well, albeit with two fingers on the piano as he had no formal musical training…at the age of sixteen he began acting in his older brother’s plays…the first glimmer of greatness broke through in 1928 when Azucena Maizani sang his “Esta Noche Me Emborracho”…just days later it was popular all over the country; it soon caught on in Europe as well…this was also the year that he met Spanish singer Tania who would become his wife and life’s companion to the end of his days…his great masterpiece, ”Cambalache” had the peculiar privilege of being banned by all military dictatorships after 1943…Carlos Gardel’s recording of his “Yira, Yira” in 1930 is considered one of the greatest events in tango history…his collaboration with composer Mariano Mores would produce the immortal “Uno” which has been called the national anthem of tango…

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watch?v=PGVXtCCR9pk to hear Virginia Luque sing Discepolo’s “Sueno de Juventud” for which he wrote both the music and the lyrics

1936, March 26 – PREMIERE OF FILM “CANILLITA”

Florencio Sanchez, eighteen years old, dreamt of marrying his sweetheart but his job as a journalist just barely provided enough to live on and when he went to see his sweetheart was embarrassed to put on, his one and only threadbare suit…watching the rascally, mischievous, bold newspaper boys jumping off and on the trams shouting the headlines to passengers and passersby, he was inspired to write a play; “Canillita” which referred to the long thin legs on which they scurried about…to his astonishment, when it was premiered on October 1, 1902, it was not only immensely popular but would capture the imagination of the world inspiring similar characters all over the world….Astor Piazzolla, for example, would play newspaper boy “Canillita” in Carlos Gardel’s film “El Dia Que Me Quieras”…instead the film “Canillita” premiering on March 26, 1936, is a musical comedy in which a young girl falls in love with a singer and elects to runaway with him rather than marrying a store keeper to whom she is promised…

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Directed by Lisandro De La Tea it stars singers Amanda Ledesma, Sabina Olmos and Principe Azul…it features Pedro Maffia and his orchestra playing the theme tango “Canillita” which was composed by Julio Cesar Sanders…Amanda Ledesma was a simple shop girl who loved to sing who reluctantly entered a singing contest and won which launched a long and glorious career…this was the first film for Sabina Olmos; thirty more would follow and she would marry legendary singer Charlo…however, years later, Charlo now dead and she penniless and all but forgotten, she would take her own life by jumping from a high story building…Principe Azul was a highly paid singer and the powerful star making machine of the United States had selected him as the new Carlos Gardel; in fact he was on his way to New York to sign a contract with NBC, when he was suddenly struck with a serious illness which swiftly took his life just two days short of his 34th birthday

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letra.aspx?idletra=3023 to hear another inspiration, “Canillita, Canillita” performed by the Francisco Pracanico Orchestra with the voice of Sofia Bozan, 1928

1948, March 24 – 1ST RECORDED, “UNA CARTA PARA ITALIA”

“Shameless propaganda !” was how this tango was angrily described by its detractors…it was in fact propaganda for the Juan Peron regime…composer of “Una Carta Para Italia” Santos Lipseker was not only a prodigious and accomplished composer but a good businessman…however he was also known for his generosity, it was not uncommon for him to take the whole orchestra to dinner…the lyrics of “Una Carta Para Italia”, written by poet Reinaldo Yiso, are a letter from a young man to his mother back in Italy in which he describes how life is so much better in Argentina than in poor Italy all designed to sing the praises of Juan Peron’s governance…it is true that when Juan Peron came to power, for a brief period, the economy of Argentina went through a dramatic revival; in the 1920s Argentina had been the eighth richest country in the world only to crumble through a combination of the great depression and military dictatorship from which it has never recovered

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“Una Carta Para Italia” was recorded by the Francini-Pontier Orchestra with the voice of  Roberto Ruffino…Enrique Francini and Armando Pontier were both born in the town of Zarate, 100 kilometers north of Buenos Aires…in 1939 they began their careers together with the newly formed Miguel Calo Orchestra…six years later they debuted their own orchestra at the mythical “Tango Bar” with two young voices which in time would evolve, arguably, into the two greatest singers in tango history, Raul Beron and Alberto Podestà…along with Roberto Ruffino all three would see great success with Francini – Pontier…less known is the fact that Ruffino besides being a great singer was also a composer and lyricist; among his compositions are “El Bazarde los Jugetes” which would be made into a hit by Alberto Podestà in the mid 50s…Armando Pontier was the composer of some of the most beautiful tangos in history like “Trenzas”, “Corazon No Le Hagas Caso” and “Cada Dia Te Estrano Mas”…on Christmas Day of 1983, no longer able to silence the voices that haunted, he took his own life

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CLICK HERE– http://www.youtube.com/watch?v=ErLnFXnAxEo to hear “Una Carta Para Italia” which interestingly opens with the classic Neapolitan song “Santa Lucia”

1898, March 23 – BIRTH OF FRANCISCO DE CARO

Composer, Pianist (Aries) – it typified his life that lying on the hospital bed with the oxygen mask over his emaciated face, he was more concerned for the family of his dear friend, bandoneonist Gabriel Clausi “Chula” than for himself, “take care of them, look after them Chula”, he insisted…just a few minutes later, he passed away; he was 78 years old…Francisco De Caro had been the creative arm of the legendary team with his brother Julio de Caro; together they revolutionized the way tango was written and interpreted, founding the “Guardia Nueva” movement…many years later Astor Piazzolla would honor their contribution with his composition “Decarissimo”…the great fame that his brother Julio would attain was in no small part due to Francisco’s artistic leadership displayed in compositions like “Sueno Azul” and “Paginas Muertas”; Julio was headstrong, entrepreneurial and famously difficult to deal with…Francisco was the eldest of twelve children born to Giuseppe de Caro De Sica (an ancestor of legendary film director Vittoriio De Sica”)…

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Giuseppe had been the director of the conservatory of the prestigious “Teatro della’Scala de Milano” and commensurate with his august background he dreamed of  seeing his sons in the rarefied world of classical music; he was Francisco’s first piano teacher…however unbeknownst to the authoritarian Giuseppe, the boys began sharing their classical musical skills with the seedy world of tango…when Julio was nineteen years old, his father confronted him one dawn as he was returning from a gig and gave him the choice of either continuing with serious studies or leaving the house; Julio chose to leave the house and his brother Francisco followed him soon after…their estrangement would only end twenty years later when their father would show up at one of their performances and with tears in his eyes asked for forgivenesses…in 1923 the brothers formed their first quartet and began playing at the mythical Cafe Colon…they would eventually embark on a very successful tour of Europe during which they entertained dignitaries including  Charlie Chaplain and Baron Von Rothschild

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CLICK HERE – http://www.youtube.com/
watch?v=SSZY161Xtz8 to hear the Osvaldo Fresedo version of “Sueno Azul” composed by Francisco De Caro

1950, March 22 – PREMIERE “AL COMPAS DE TU MENTIRA”

Renown Argentine actor, Pedro Quartucci, who stars in this film was the protagonist of a fascinating story; as a young actor he had a relationship with an aspiring actress Eva Duarte the future wife of Juan Peron,”Evita” with whom he supposedly had a daughter “Nilda”…the little girl however was brought up as their natural daughter by himself and his wife Felisa Borborino…years later Nilda, now grown up and married, heard from her husband that her real mother had been Eva Peron…when she confronted her father, he admitted that it was true and her mother Felisa, at the eleventh hour, confirmed the story as well…Father Benitez, the priest present at the deathbed of Evita wrote that in her confession she spoke of “the great pain in her life” and he hinted that it was the fact of never having known a child born to her…besides this Pedro was a professional boxer before he became an actor…competing as a feather weight, he won a bronze metal in the 1924 Olympics…

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“Al Compas De Tu Mentira”, adapted from Oscar Wilde’s, “On The Importance of Being Ernest”, was directed by Hector Canzani and is a musical comedy with lots of dancing and tango music…Canzani spent most of his career as a poet and screenwriter but this film, which was moderately successful, bestowed him notiriety…this was to be the last film of Juan D’arienzo and his orchestra…other notables in the film include the Domingo Federico Orchestra with singer Jorge Casal singing the theme song “Al Compas del Corazon”…Edmundo Rivera, the only bass in a world of tenors and baritones,  sings “No Te Enganes Corazon” composed by Rodolfo Sciamarella…the ill-fated Osmar Maderna “the Chopin of Tango”, who would die young in an airplane crash, plays his “Lluvia de Estrellas” which is indeed reminiscent of Chopin’s ballads; he is accompanied by the Alfredo De Angelis Orchestra…

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2008, March 21 – RELEASED, “MATTSSON’S TANGO”

One reviewer said of “Mattsson Tango”, “I’ll go out on a limp here and say this is the best work he has ever done”...it is indeed a great leap forward for Lars Eric Mattsson who is Finland’s number one hard rock guitarist  and whose specific genre, described as “neo/classic metal hard rock”, would seem far cry from the sophisticated world of tango…however, this is, in a sense, a return to his roots for Lars recalls nostalgically as a little boy, his grandfather listening to treasured recordings of the legendary Olavi Virta, the king of Finnish tango…tango in fact, from the year 1913 when the Finns first discovered it, became the national music of Finland….in its history, tango has had far-reaching influence on many cultural forms around the world;  this is certainly the first time to evolve into “classic metal tango”…For his Mattsson’s Tango he enlisted the help of stunning vocalist Adrienne Antal whom one producer described as “the best female vocalist I have ever heard”

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Lars was born in the Aland Islands, the Swedish speaking region of Finland…it was as a boy that he discovered the guitar and it became his passion; in time he developed not only an amazing technique but a style all his own which has won him a legion of fans all other world…later he also became an accomplished pianist…he was a young, starving guitarist, when he was discovered by producer Mike Varney who first exposed him to the world in an introductory article about him in his renowned “Guitar Player Magazine”, the voice of his Shrapnel Records Label…Lars’s first recording was a four song compilation in 1985 which was well received by the public; he soon after founded  a band called “Vision” which was especially popular with the Japanese public…from there his success skyrocketed leading to the formation of his own production company “Lion Music” which gradually evolved into a record label

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CLICK HERE– http://www.youtube.com/watch?v=34fToAbQZeQ Mattsson’s Tango with the voice of Adrienn Antal

1941, March 20 – Alfredo De Angelis Debuts, “CAFE MARZOTTO”

He had waited a long time to start his own orchestra…most would-be greats jumped into the treacherous waters of entrepreneurship much younger (and most failed) and yet from the moment of his debut at the mythical Cafe Marzotto he would see stellar success…he would be criticized as being a merry-go-round orchestra for like Juan D’arienzo, adopting the 2/4 beat, would make it eminently danceable and eminently successful…another thing that differentiated him from his competition was its stability; his core group of musicians would remain with him for his and their entire career…another unique thing about the Alfredo De Angelis orchestra was that it popularized the tango duet, premier among them, the one composed of Carlos Dante and Julio Martel…Alfredo De Angelis was born in the charming village of Androgue just outside of Buenos Aires; years later it would be the inspiration for one of  Jorge Luis Borges’s books of poetry….

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From early age, young Alfredo demonstrated precociousness and at the age of nine began playing piano for silent movies at the Androgue Cinema…Alfredo impressed noted singer Juan Gilberti who gave him his first job as an accompanist…his first break came when he was invited to play with the renown Anselmo Aieta Orchestra…he developed a name for himself and invitations to play with other important orchestras followed…his orchestra was on the inaugural program of the legendary “Glostora Tango Club” and would perform there for 25 years…he would record 486 tangos with the Odeon Label between 1943 and 1977…the Cafe Marzotto mixed tango, football and horse races and made history…it gave its start to a young Attilo Stampone who played there in the 1930s; in 1946 a young and wavering Astor Piazzolla walked in to ask Attilo to join his group…it launched the career of Osmar Maderna, “the Chopin of tango” who would tragically die at the age of thirty-three in an airplane crash.

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