Archive for the ‘ Musicians ’ Category

1903, April 8 – BIRTH OF DANIEL LOPEZ BARRETO

Composer, Pianist, Author (Aries) – Tangiers beguiled him and as she had done to William S Burroughs, to Jack Keroac, to Tenessee Williams, to Matisse…she seduced him and so Daniel Lopez Barreto did the unthinkable, he deserted the Argentine Navy and disappeared into Tangiers’ mysterious labyrinths of spys and smugglers…but it was not easy and out of desperation he joined the French Foreign Legion, finding himself oddly at home with its failed revolutionaries and trouble makers from all over the world…but fate had a surpise in store for him, enjoying himself at the “Cabaret Lumiere Du Midi” the night before shipping out, some drunken English sailors suddenly became rowdy for the lack of the promised live music…one of Daniel’s campanions suggested to owner that Daniel play the piano; his debut was so successful that it turned into an eight month engagement…one evening a German couple happened to come in; she was a voice and music professor and was so impressed with Daniel’s talent that she took him under her wing…they took  him to the magical island of Ibizia where through stern, disciplined training she perfected his talent…together they would perform classical music concerts throughout europe in splendor and elegance he had never imagined

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But the call of his native land was strong and against the counsel of his benefactress he decided to return to Argentina where he was immediately arrested; he was sentenced to one year in prison at hard labor…upon his release, for a while, he began earning his living as a boxer and a pianist billing himself as “The Boxing Pianist”….now back in Buenos Aires, he began working in a music publishing house where one day the legendary, Roberto Firpo happened to hear him play piano and asked him to join his orchestra…in 1929 he formed a trio to play on Radio Nacional, later Radio Belgrano…he accompanied renown tenor Tito Schippa in one of his celebrated concerts in Buenos Aires…he composed the music for a number of films including “Canillita” in 1936, and “El Hombre Del Sabado” in 1947….either as a composer or as a lyricist, he would record over 100 tangos…his music and his curiosity would take him around the world Europe, Africa, Asia and the United States; his highlight was undoubtably winning in a prize at the prestigious Mozart Festival in Salzburg…he lived on Easter Island for many months to study the language of the natives and he published a book in the United States on his findings….at the age of seventy nine after an incredible life he passed away at his home in Buenos Aires

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CLICK HERE– http://www.todotango.com/

spanish/las_obras/Tema.aspx?id=BJYAM8BYPRQ= to hear “La Uruguayita Lucia” with lyrics by Daniel Lopez Barreto and music by Eduardo Pereyra performed by the Ricardo Tanturi Orchestra sung by Enrique Campos

1956, April 06 – FIRST RECORDED “MADRE”

The lyrics of “Madre” speak of  man who has hit bottom…he laments his wayward life, his abandonment in vice and worldly pleasures…he recalls the disillusionment of women who professed to love him and now deeply distraught, he realizes that without his mother’s guidance he has fallen and that she was the only one who truly loved him…no doubt composer Francisco Pracanico was inspired by his own sad and lonely childhood…having grown up in a destitute family, he had to quit school when he was no more than a child and began working as a shoe shine boy…working long hours, roaming the city by himself, he would assuage his loneliness playing the harmonica…the heart wrenching melancholy and nostalgia that was to characterize his immortal compositions, moved passersby to stop and marvel at the sensitivity of the boy…eventually one of his customers gave him an old piano which he repaired with make-shift parts he found on the streets; it became his passion…his debut occurred by accident; he was working in a musical cafe as a dish washer and one particular evening the piano player of the tango orchestra did not show up and the customers were increasingly restless….

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The owner, out of desperation, sent in young Francisco; it was to be the start of an incredible career…Francisco Pracanico became one of the most successful tango composers in history…Agustin Magaldi would have a hit with his “Afilador”, his “Mentira” was a hit for Carlos Gardel in 1932, his “Corrientes Y Esmeralda” would be a hit for Adriana Varela in the 1990s and even the legendary Maurice Chevalier premiered his “Tango Porteno” in 1925…Chola Luna, the vocalist of “Madre” was inclined to singing from an early age and she was much encouraged by her proud father; at age sixteen, he entered her in the famous Puloil Soap Singing Contest on Radio Belgrano and out of hundreds of contestants she was declared the winner…she sang with a number of orchestras including the influential Francisco Canaro…she later made a successful tour of  Europe with the Francisco Lomuto Orchestra…she was part of Eva Peron’s preferred list of tango artist but when Juan Peron was overthrownin 1955, Chola was not only blacklisted but threatened with imprisonment and so she exiled herself to Montevideo; “Madre” was one of the last tangos she recorded in Argentina

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CLICK HERE– http://www.todotango.com/

spanish/las_obras/Tema.aspx?id=xS70q+gbxgY= to hear Chola Luna sing “Madre” with the Miguel Calo Orchestra

1951, March 29 – OSMAR MADERNA’S LAST RECORDING

Saturday afternoon had finally arrived, it was a day he looked forward to all week, his flying day….Osmar Maderna had two loves in his life, music and flying his Eurosocpe 415 CD, a passion he shared with his contemporary Osvaldo Fresedo….the skies over Lomas de Zamora was especially limpid and his fellow pilots were exuberant…flying 200 meters in the air Osmar playfully oscillated the wings at an adjacent pilot as he had done many times before only this time his wing hit the wing of the adjacent plane causing it to lose lift, spiral and hit the ground in a fiery crash…Osmar Maderna, the “Chopin of Tango”, at the pinnacle of his career, was dead at the age of thirty-three years old; just one month earlier he had made his twentieth recording at the RCA Victor Studios…Osmar Maderna was the eighth child of a poor immigrant family in the village of Huajo, Argentina…his father who was a musician was his first piano teacher…from early on young Osmar demonstrated an unusual sensitivity and gift for music…his love of Chopin showed in his subtle, ethereal, romantic touch; at the age of thirteen he put together his first group calling it “Vitaphone”…

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At the age of 20  he arrived in Buenos Aires where he performed on the radio as a soloist playing classical music and some tango…the young prodigy began developing a name for himself; that year he was invited by Miguel Calo to join his orchestra…here he came in contact with three young would-be greats Enrique FranchiniArmando Pontier and Domingo Federico…in 1945 he started start his own orchestra and debuted at the mythical Marzotto Cafe later earning performances at Tango Bar and Radio Belgrano…one year later, he made his first recording, the beautiful instrumental “Chiquè” …some of his most beloved compositions include  ”LLuvia de Estrellas” which shows his love of Chopin’s waltzes and nocturnes and “Concierto En La Luna” which reflects his love of flying but his biggest hit was the waltz “Pequena” with the voice of Hector de Rosas…it was such a massive hit that in the first few months alone there were more than 120 different renditions by different artists…he starred in the film “Al Compas de Tu Mentira” and is credited with having started “Tango Fantasia”

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watch?v=AsdliPd9cFQ to hear the Alfredo de Angelis perform Osmar Maderna’s greatest hit “Pequena” with lyrics by Homero Exposito and the voice of Carlos Dante

1898, March 23 – BIRTH OF FRANCISCO DE CARO

Composer, Pianist (Aries) – it typified his life that lying on the hospital bed with the oxygen mask over his emaciated face, he was more concerned for the family of his dear friend, bandoneonist Gabriel Clausi “Chula” than for himself, “take care of them, look after them Chula”, he insisted…just a few minutes later, he passed away; he was 78 years old…Francisco De Caro had been the creative arm of the legendary team with his brother Julio de Caro; together they revolutionized the way tango was written and interpreted, founding the “Guardia Nueva” movement…many years later Astor Piazzolla would honor their contribution with his composition “Decarissimo”…the great fame that his brother Julio would attain was in no small part due to Francisco’s artistic leadership displayed in compositions like “Sueno Azul” and “Paginas Muertas”; Julio was headstrong, entrepreneurial and famously difficult to deal with…Francisco was the eldest of twelve children born to Giuseppe de Caro De Sica (an ancestor of legendary film director Vittoriio De Sica”)…

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Giuseppe had been the director of the conservatory of the prestigious “Teatro della’Scala de Milano” and commensurate with his august background he dreamed of  seeing his sons in the rarefied world of classical music; he was Francisco’s first piano teacher…however unbeknownst to the authoritarian Giuseppe, the boys began sharing their classical musical skills with the seedy world of tango…when Julio was nineteen years old, his father confronted him one dawn as he was returning from a gig and gave him the choice of either continuing with serious studies or leaving the house; Julio chose to leave the house and his brother Francisco followed him soon after…their estrangement would only end twenty years later when their father would show up at one of their performances and with tears in his eyes asked for forgivenesses…in 1923 the brothers formed their first quartet and began playing at the mythical Cafe Colon…they would eventually embark on a very successful tour of Europe during which they entertained dignitaries including  Charlie Chaplain and Baron Von Rothschild

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CLICK HERE – http://www.youtube.com/
watch?v=SSZY161Xtz8 to hear the Osvaldo Fresedo version of “Sueno Azul” composed by Francisco De Caro

2008, March 21 – RELEASED, “MATTSSON’S TANGO”

One reviewer said of “Mattsson Tango”, “I’ll go out on a limp here and say this is the best work he has ever done”...it is indeed a great leap forward for Lars Eric Mattsson who is Finland’s number one hard rock guitarist  and whose specific genre, described as “neo/classic metal hard rock”, would seem far cry from the sophisticated world of tango…however, this is, in a sense, a return to his roots for Lars recalls nostalgically as a little boy, his grandfather listening to treasured recordings of the legendary Olavi Virta, the king of Finnish tango…tango in fact, from the year 1913 when the Finns first discovered it, became the national music of Finland….in its history, tango has had far-reaching influence on many cultural forms around the world;  this is certainly the first time to evolve into “classic metal tango”…For his Mattsson’s Tango he enlisted the help of stunning vocalist Adrienne Antal whom one producer described as “the best female vocalist I have ever heard”

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Lars was born in the Aland Islands, the Swedish speaking region of Finland…it was as a boy that he discovered the guitar and it became his passion; in time he developed not only an amazing technique but a style all his own which has won him a legion of fans all other world…later he also became an accomplished pianist…he was a young, starving guitarist, when he was discovered by producer Mike Varney who first exposed him to the world in an introductory article about him in his renowned “Guitar Player Magazine”, the voice of his Shrapnel Records Label…Lars’s first recording was a four song compilation in 1985 which was well received by the public; he soon after founded  a band called “Vision” which was especially popular with the Japanese public…from there his success skyrocketed leading to the formation of his own production company “Lion Music” which gradually evolved into a record label

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CLICK HERE– http://www.youtube.com/watch?v=34fToAbQZeQ Mattsson’s Tango with the voice of Adrienn Antal

1941, March 20 – Alfredo De Angelis Debuts, “CAFE MARZOTTO”

He had waited a long time to start his own orchestra…most would-be greats jumped into the treacherous waters of entrepreneurship much younger (and most failed) and yet from the moment of his debut at the mythical Cafe Marzotto he would see stellar success…he would be criticized as being a merry-go-round orchestra for like Juan D’arienzo, adopting the 2/4 beat, would make it eminently danceable and eminently successful…another thing that differentiated him from his competition was its stability; his core group of musicians would remain with him for his and their entire career…another unique thing about the Alfredo De Angelis orchestra was that it popularized the tango duet, premier among them, the one composed of Carlos Dante and Julio Martel…Alfredo De Angelis was born in the charming village of Androgue just outside of Buenos Aires; years later it would be the inspiration for one of  Jorge Luis Borges’s books of poetry….

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From early age, young Alfredo demonstrated precociousness and at the age of nine began playing piano for silent movies at the Androgue Cinema…Alfredo impressed noted singer Juan Gilberti who gave him his first job as an accompanist…his first break came when he was invited to play with the renown Anselmo Aieta Orchestra…he developed a name for himself and invitations to play with other important orchestras followed…his orchestra was on the inaugural program of the legendary “Glostora Tango Club” and would perform there for 25 years…he would record 486 tangos with the Odeon Label between 1943 and 1977…the Cafe Marzotto mixed tango, football and horse races and made history…it gave its start to a young Attilo Stampone who played there in the 1930s; in 1946 a young and wavering Astor Piazzolla walked in to ask Attilo to join his group…it launched the career of Osmar Maderna, “the Chopin of tango” who would tragically die at the age of thirty-three in an airplane crash.

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1906, March 14 – BIRTH OF RODOLFO BIAGI

Leader, Composer, Pianist (Pisces) – sitting still in class for little Rudy was not easy; his soul was restless…his forays into the realm of day dreaming more often than not, brought him reprimand “Rudy, pay attention”…but lurking inside was a genius who would one day change the world of tango…in his brief three years with the Juan D’arienzo orchestra, his innovative beat on piano would help usher in “danceable tango”  and reinvigorate tango in the forties by appealing to young people…Rodolfo Biagi was born in the neighborhood of San Telmo, Buenos Aires to struggling Italian immigrants…he caused a family crisis when at the end of grammar school, young Rodolfo insisted on leaving school; his parent reluctantly agreed but they enrolled him in the conservatory of the newspaper “La Prensa” to study piano…being strong willed and independent, at the age of thirteen, without his parents’ consent he began playing in a silent film cinema

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One evening the legendary Juan Maglio (Pacho) happened to be in the cinema and was stunned by the precocious teenager at piano; he eventually accepted him into his orchestra, he was only fifteen…a major break occurred when in 1930 Jose Razzano interceded him backstage to ask him to accompany Carlos Gardel on a series of recordings…on April 1, 1930 he found himself next to the legendary Carlos Gardel in the recording studio…soon after he worked with a number of orchestras and along the way composed his first tango “Indeferencia” with lyrics by Juan Carlos Thorry…Rodolfo was a frequent customer of the Cabaret Chantecler where the Juan D’arienzo played nightly…his pianist Lidio Fasoli was notoriously late and one evening D’arienzo could endure no more and on the spot asked Rodolfo to take over at piano: with D’arienzo he would record 71 tangos…in 1938 Biagi left to start his own orchestra which debuted on September 16, 1938 at the Cabaret Marabu…in its long run his orchestra would record some immortal hits like the waltz “Lagrimas Y Sonrisas” and the tango “Quiero Verte Una Vez Mas” with singer Jorge Ortiz

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CLICK HERE – http://www.youtube.com/watch?v=_lo8iQ2QHWc to hear one of Rodolfo Biagi’s greatest hits “Lagrimas Y Sonrisas”

1921, March 11 – BIRTH OF ASTOR PIAZZOLLA

Composer, Leader, Bandoneonist, Pianist (Pisces) –“You idiot, that’s Piazzolla”Nadia Boulanger screamed at a young Astor Piazzolla; looking back on a story book career many years later he would say“in a mere matter of ten seconds, she had sent to hell ten years of work”…perhaps more than any one else, it was Nadia Boulanger, renown music teacher of the twentieth century, who was responsible for the eventual emergence of the genius Astor Piazzolla…he had been ashamed of his tango roots and his bandoneon; his true soul, he thought, belonged to Mozart and Bach but the astute Boulanger set him on the right destiny…the destiny of combining classical, jazz and tango all cemented by the musical milieu of New York where he grew up…it was a fateful day in 1953 when it was suggested to him to enter one of his compositions into the “Fabien Seveitsky Competition” which he did very reluctantly, he just did not think his work was good enough…to his great surprize, he won first place and a scholarship to study with the legendary Nadia Boulanger in Paris

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Although Astor Piazzolla was born in Argentina he was raised in New York and his music, his character and his life reflected that ambience; he even spoke english with a New York accent…his granparents had been immigrants from the ancient town of Trani, a settlement of ancient jewish scholarship in the region of Puglia in Southern Italy…as a boy he went through a series of operations due to a polio deformed right leg; his father advised him to be tough and to never let anything defeat him a lesson he learned all too well; he was once thrown out of school for aggressive behavior…the composition which won him his first popular acclaim was “Ballada Para Un Loco” which was premiered in 1969 by his second wife Amelita Baltar at the First Iberoamerican Music Festival where it won second place…his immortal “Libertango” was composed during the period that he lived in Rome in the 1970s…in his prolific career he would compose over 1000 works including orchestral works that continue to be played by orchestras the world over…Astor once said, “music is more than a woman because you can divorce a woman but not music…once you marry her, she is your everlasting love and you go to the grave with her”…he also once said of the most famous tango in the world, “La Cumparsita”“the worst of all tangos”

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1885, March 8 – BIRTH OF JUAN DE DIOS FILIBERTO

Composer, Leader, Violinist, Guitarist, Harmonica (Pisces) – as a youth he was tormented, difficult, rebellious even a bully and finally he was practically thrown out of school and began working in a series of  menial jobs along the way becoming a fiery anarchist and strike organizer…one fateful evening while working at the famed Colon Theater as a mechanic’s assistant, he happened to see a performance of Beethoven’s Ninth Symphony and he was stunned; it changed his life…although unrefined, course and practically illiterate,  with tremendous determination, he enrolled at the Pettizini – Sttianessi Conservatory to study music for the first time and gradually the musical genius that was prowling inside his soul began to emerge…later he earned a scholarship to the to study with Maestro Alberto Williams at the prestigious National Conservatory…his tango “Caminito”, composed in 1926, along with “La Cumparsita”, “Il Choclo” and “A Media Luz” would become one of the most universally beloved and recorded musical themes in history…

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He was born in the mythical neighborhood of La Boca, Buenos Aires to a mother who was a descendent of  native americans and a father who was Genoese…many years later he would nostalgically recall his first taste of tango as a six years old toddler at his uncles cafe “La Estrellita”…battling symptoms of tuberculosis, his friend and physician Jose Ingenieros, himself an impassioned political activist and philosopher, advised him to move to the city of Guaymallen; his stay here inspired his first tango, the first of his tangos with distinctly indigenous chords…in 1932 he formed his first orchestra which debuted at the mythical Cafe Tortoni…he dared to include unusual instruments like clarinets and flutes and nativist themes but the critizism that naturally followed was difficult for him to bear…however, it was the beginning of a long and productive  career…among his numerous compositions are great hits like “Quejas De Bandoneon”, “Malevaje”, “El Panuelito”; Carlos Gardel would record sixteen of his tangos…toward the end of his life, reflecting on his career he would say, “my music is many things but above all it is feeling…of course feeling is not enough for you have to know how to express it”

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1959, March 3 – L. LEOCATA DEBUTS ON RADIO BELGRANO

With tears running down her face, clasping her favorite embroidered apron she looked out the window to the orchard she had planted and whispered, “it is a miracle, thank you heavenly father”…Luciano would recall that day vividly many years later…his father had just received a letter from the landlord’s representative; he had passed away and, in an act of deathbed generosity, had cancelled the debt on the house…to the children who played on those 70 meters on which his father had personally constructed the house, it seemed like such a large place; with tremendous personal sacrifice, he had bought that property for twenty-three pesos a month…Luciano Leocata was the third of four children to poor immigrants from Sicily which had settle in the neighborhood of Almagro in Buenos Aires…one evening, when he was thirteen years old, from a distant neighbor’s house, he heard an odd, new sound that captivated him; he found out later it was the bandoneon…

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He began taking lessons and he quickly exhausted his teachers’ ability to teach him…he began playing in the neighborhood cafes and bars for spare change…the news of the “kid” reached Juan Pedro Castillo who have him his first professional job; it was the beginning of a glorious career culminating in a 50 year collaboration with the Florindo Sassone Orchestra…it was in 1940, that the most important event of his life happened; he met a shy, unassuming Aida Emma Gagliardino, “I heard music like I had never heard before”, he would say…they married on January 16, 1943..in time this event would produce two daughters, five grandchildren and three great grandchildren…Luciano composed some of the most beloved tangos in history…His “Volvemos A Querernos”which he presented on Radio El Mundo had the distinction of being a hit simultaneously on two different radio stations, played by two different orchestras and sung by two different singers…his “Y Todavia Te Quiero” to our very day is one of the most revered tangos played in milongas all over the world; there were many others…

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