1955, March 19 – SATCHMO RECORD, “KISS OF FIRE” (EL CHOCLO)

Lester Allen and Robert Hill were basking in the fame and glory of their new hit “Kiss of Fire”, when someone finally noticed that it was oddly similar to the immortal tango “El Choclo”…in fact after intense proceedings they finally conceded that it was in fact “El Choclo” and thereafter, on all sheet music, the name of “Angel Villoldo” the orignal composer, preceded theirs…Kiss of fire was a major hit for Georgia Gibbs in 1952 reaching all the way to number 2 on the Billboard Charts…another popular version was the one by Louis Armstrong “Satchmo” which was recorded on March 19, 1955…other celebrated versions were by Nat King Cole, Connie Francis and in Finland, by the “King of Finnish Tango”, Olavi Virta…seeking to capitalize on the immense popularity of  ”Kiss of Fire” a film, directed by Joseph M. Newman and starring Jack Palance, was released in 1955…part of the background music is a flamenco like version of “Kiss of Fire”…

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Angel Villoldo, the original composer of “Kiss of Fire” (El Choclo) was a fascinating man, a sort of Ernest Hemingway and Bob Dylan all in one…he was born on February 16, 1861 into a destitute family in the neighborhood of Barracas, Buenos Aires…he quit school early to work and did many jobs including teamster, herdsman and circus clown before devoting himself to music…..he would become a prolific composer and lyricist of some of the most beloved tangos in history…”El Choclo” became instantly popular all over the world and the story is told that German officers wishing to honor a visiting Argentinean dignitary mistakenly played “El Choclo” believing it to be the national anthem…when it first premiered in the exclusive “El Americano” restaurant in Buenos Aires, the leader of the orchestra had to disguise it by calling it “Danza Criolla” as tango was considered music of the pimps and prostitutes

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CLICK HERE– http://www.youtube.com/watch?v=XCXxJFmfGVc&playnext=1&list=
PL2E1CB4660C675B65 Louis Armstrong “Sarchmo” sing “Kiss of Fire (El Ch0clo)

1889 March 18 – BIRTH OF HECTOR BLOMBERG

Poet, Writer, Journalist (Pisces) – he flung open the door, rushed in and started grabbing  a few clothes,“where are you going son” his mother asked worriedly,“to Norway” he responded…that afternoon while walking the waterfront, deep in thought, he had suddenly stopped in front of a massive ship and had been seized by an inexplicable urge, “the ship leaves at 12 noon” the sailor on guard had told him…Hector Blomberg was gone for two years during which he visited far away lands and exotic ports of call; he returned with a suitcase full of poems…at the age of seventeen he had received his first recognition, a gold medal for his poem “Ode To Spain”…in time he would become one of Argentina’s great men of letters leaving behind an extensive collection of poetry books, historical novels, plays, newspaper articles, children’s books and several immortal tangos…being fluent in German and English he even found time to translate noted writers in those languages

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He was born in the neighborhood of Montserrat in Buenos Aires; his mother, originally from Paraguay, was herself a writer and a translator…his father was an engineer and a descendant of a long line of Norwegian sailors from whom he fell heir to his passion for the sea and for travel…sometime in the late 1920s he was introduced to singer Ignacio Corsini with whom a lifelong friendship would flourish…in collaboration with guitarist Enrique Maciel they would author a waltz “La Pulpera de Santa Lucia” which was a great hit and would launch a renowned career for Corsini; the three would collaborate on a number of other successful tango like “El Adios de Gabino Ezeiza” and “La Que Morio en Paris”…”La Pulpera de Santa Lucia” was originally on of Hector’s historical novels which continues in circulation to our very day as a collector’s item at prices many times its original cost…the kind of person Hector was, revealed itself in 1920 in a poetry contest; when it came to his attention that he would be awarded first prize, he argued with the jury that the second place designee’s entry was better than his  and really deserving of first place and in fact the order of the awards was changed

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1861, March 17 – ITALY IS UNITED…TANGO IS CREATED !

Perhaps the single biggest reason for the creation of tango was the unification of Italy which radically upended society  leading to massive emigration of Italians to Argentina….Tango is overwhelmingly a creation of Italian immigranst in Argentina…furthermore, it is part of  a history of Italian musical traditions which from the time of the Renaissance were being exported to royal courts as far away as Russian…the unification of Italy broke down the land feudal system which had survived in the south of Italy since the middle ages…the well intended redistribution of land had the unintended effect of  creating smaller and less efficient plots of land…at the same time improved hygiene and access to healthcare led to longer life spans and a dramatic increase in population…the emigration was mostly southern and rural; the great Ignacio Corsini, for example, was born in Troina, Sicily…the only large city to experience emigration was Napoli…with unification, it had gone from being the capital of a grand kingdom to being just another big city leading to a loss of jobs and loss of investment and consequently high unemployment rates…

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Adding to its woes were a series of cholera epidemics beginning in the 1880s which also encouraged emigration; in fact tango has strong Neapolitan musical roots…another effect of unification was that the state took over control of emigration by setting standards, licensing emigration agents, providing health care at ports of embarkation  and making agreements with receiving countries to protect the immigrants and to provide health care upon their arrival…in 1903 the government organized the ports of embarkation in Palermo, Naples and Genoa…Italian unification can be traced to the defeat of Napoleon (himself of Italian descent)…his installed monarchs tried to save their thrones by stoking nationalist sentiments which inadvertently inspired the move to the  unification of Italy…inspired by the French Revolution, a secret organization known as “Carbonari” developed to fight for Italian unification which with the leadership of the charismatic Giuseppe Garibaldi eventually prevailed…by one estimate, 80% of tango composers were of Italian descent; two of its greatest, Osvaldo Pugliese and Astor Piazzollawere of Italian jewish descent

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CLICK HERE – http://www.youtube.com/watch?v=gvFt615a14A&feature=related to hear the “Marcia Reale”, the official national anthem at the time of unification…it was composed by Giuseppe Gabetti in 1931 as the hymn of the Royal House of Savoy

1907, March 16 – BIRTH OF ISABEL DEL VALLE

She was in a trance, her eyes swelled with tears, the pain of her humiliation as she returned home was almost undearable…she had gone personally to see the brothel owner La Ritana whom persistent rumors said she was Carlos Gardel’s lover…to her dismay, not only did La Ritana admit that, yes, she was his lover but that she had given as a gift to Carlitos a precious pekinese puppy; that was the very puppy that Carlos had in turn given to her…Isabella for her whole life never tired of repeating  that she was Carlos Gardel’s only real love…she claimed she was not jealous,“Jealousy, me,  never, a woman who loves a man like Carlos Gardel can never harbor undignified sentiments like jealousy” and yet not only did she go to see La Ritana but also another woman rumored to have been Gardel’s lover Mona Maris about whom she said “I got fed up with her declarations, she was only an adventure for him, the slut threw herself shameslessly on him”…Isabel del Valle was born in the neighborhood of Costitucion, Buenos Aires to a her father was a railroad manager….

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The fateful day occurred on the corner of  Sarmientos and Pellegrini Street where through her brother’s friend she met Carlos for the first time; she was fourteen years old, he was thirty four…the next day, Carlos showed up at the house with the ingredients to have Isabella’s mother prepare Valencian style rice….a long and at times tumultuous relationship ensued which to one Gardel scholar was merely a love of formal appearance with no real passion behind it….nevertheless over the years not only Isabella but the whole family became dependent on Carlos’s generosity…there was even some evidence that her brothers had blackmailed Gardel into giving them a large some of money by threatening to accuse him of child molestation as Isabella had been only fourteen years old when he began his relationship with her…Isabell had once said proudly, “yes I was fourteen but my body was already that of a real woman”…it is known that Gardel had relationships with many women but without ever apparently developing a deep love with any of them; there were even rumors that he was gay…he once said, “I never fall in love…all women are worthwhile of loving, but to have a blind adherence to one is to offend the others”

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CLICK HERE – http://www.youtube.com/watch?v=wLunpp_HDzM to hear Carlos Gardel sing “Amore de Estudiante”

1925, March 15 – BIRTH OF EDOUARD PECOURT

Collector (Pisces) – during Nazis occupied Paris several times he narrowly escaped being arrested…he remembered hunger and walking for hours through the country side to reach a farmer whom it was rumored had meat to sell…his wife abandoned him leaving him to care for two young children from his meagre earning selling pens…some how, along the journey of an epic life he fell in love  with tango and his collection would eventually reach 50, 000 recordings…Edouard Percourt was born in the fabled artists’ hill of Montmartre in Paris….his father died while he was still a boy and his mother abandoned him to a tough, strict orphanage where he learned to fight to survive…his first job was as a shoe repairman working long hours and making barely enough to survive; hoping to better his lot, he went into selling pens…an Arabic woman invited him to sell  his pens at her Arabic music stand; here he was first exposed to tango; it was love at first sight, “three-minute operas” he called them…he began passionately collecting tango records which in the fiftys nobody wanted any more and he could acquire for next to nothing…

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In 1953 through tremendous personal sacrifice he purchased the old, dusty shop where he regularly bought his tango records…he renamed it “La Boite a Disques” (The Record Box)…here, located near the Louvre, in the shadow of Dali, Monet, Picasso, Van Gogh he had found his spiritual home…one day the bell on the door rang, he turned his head to see a young Astor Piazzolla walk in…their mutual love of music would bond them in a friendship for the rest of their lives…his 50,000 tango record collection includes more than 1000 recordings by Carlos Gardel and every Piazzolla original disc ever published anywhere in the world…in 1981 in New York City he met Jocelyn Howells, fell in love and married her; she was his third wife….at the age of sixty-two he did another courageous thing, he sold his shop and moved, along with his immense collection, to be with Jocelyn among the majestic evergreens just outside of  Portland, Oregon…he became a dear friend to local tangueros to whom, in his french accent, with radiance and little boy enthusiasm, he would give talks on the history of tango…he passed away at the age of 83 from brain lymphoma with his beloved Jocelyn by his side

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1906, March 14 – BIRTH OF RODOLFO BIAGI

Leader, Composer, Pianist (Pisces) – sitting still in class for little Rudy was not easy; his soul was restless…his forays into the realm of day dreaming more often than not, brought him reprimand “Rudy, pay attention”…but lurking inside was a genius who would one day change the world of tango…in his brief three years with the Juan D’arienzo orchestra, his innovative beat on piano would help usher in “danceable tango”  and reinvigorate tango in the forties by appealing to young people…Rodolfo Biagi was born in the neighborhood of San Telmo, Buenos Aires to struggling Italian immigrants…he caused a family crisis when at the end of grammar school, young Rodolfo insisted on leaving school; his parent reluctantly agreed but they enrolled him in the conservatory of the newspaper “La Prensa” to study piano…being strong willed and independent, at the age of thirteen, without his parents’ consent he began playing in a silent film cinema

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One evening the legendary Juan Maglio (Pacho) happened to be in the cinema and was stunned by the precocious teenager at piano; he eventually accepted him into his orchestra, he was only fifteen…a major break occurred when in 1930 Jose Razzano interceded him backstage to ask him to accompany Carlos Gardel on a series of recordings…on April 1, 1930 he found himself next to the legendary Carlos Gardel in the recording studio…soon after he worked with a number of orchestras and along the way composed his first tango “Indeferencia” with lyrics by Juan Carlos Thorry…Rodolfo was a frequent customer of the Cabaret Chantecler where the Juan D’arienzo played nightly…his pianist Lidio Fasoli was notoriously late and one evening D’arienzo could endure no more and on the spot asked Rodolfo to take over at piano: with D’arienzo he would record 71 tangos…in 1938 Biagi left to start his own orchestra which debuted on September 16, 1938 at the Cabaret Marabu…in its long run his orchestra would record some immortal hits like the waltz “Lagrimas Y Sonrisas” and the tango “Quiero Verte Una Vez Mas” with singer Jorge Ortiz

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CLICK HERE – http://www.youtube.com/watch?v=_lo8iQ2QHWc to hear one of Rodolfo Biagi’s greatest hits “Lagrimas Y Sonrisas”

1920, March 13 – BIRTH OF HECTOR MAURE

Singer, Composer (Pisces) – he was only thirty-five years old and his career in full bloom when two tragedies occurred; the first, the fall of the government of Juan Peron on September 19, 1954…tango was populist and the Peron regime was a populist one and consequently Hector Maure, like most tango artists, found himself blacklisted from radio stations; interestingly it had been Juan Peron himself who had nationalized most of the radio stations…the second event was that tango was beginning to pass out of fashion…to hasten this, the new regime, comprised of members of the upper middle class whose innate classicist instincts saw tango as undesirable, enforced curfew laws only in tango clubs thus helping to usher in the new rock and roll culture…still the Forastieri brothers fought hard to keep the tango candle flame from being snuffed out and they valiantly kept their tango club “El Rincon de Los Artistas” going…here Hector would perform for ten years until May 9, 1976; three days later he would die unexpectedly from a massive heart attack

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Hector Maure was born in the neighborhood of Palermo, Buenos Aires to a struggling Italian immigrant father and a mother from Lugo, Galicia Spain…he had to quit school early to help support the family…as a boy he loved to sing but his big dream was to become a boxing champion…in a key fight which could launch his career and which he was expected to win, he was severely injured and he was told that he could no longer fight; it is at this point that he decided to devote himself to singing…at the age of eighteen he reluctantly entered the renown Puloil Soap singing contest on Radio Belgrano and to his surprize, out of hundreds of candidates, he was selected the winner by the public at large…his career took off from there; he eventually would become the vocalist for the Juan D’arienzo Orchestra; one of the most successful of the day…he would later embark on a busy solo career…his most successful  composition was “Oro Y Diamantes” which was recorded by the Juan D’arienzo Orchestra

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1910, March 12 – BIRTH OF JUANITA LARRAURI

Singer (Pisces) – “she gave up a promising and glorious career to work for a tyrant” , was the comment of one of her disappointed fans when she gave up singing to become part of the idolatrous legions of Peronism…carried away by her political passion she would dare to say,“Peron is the only sovereign”…critics agree that she had the voice and the personality to have become a major star…she was born in the neighborhood of Floresta in Buenos Aires and already as a little girl her love of singing became apparent in her penchant for humming as she was playing with her dolls…she began singing in the private festivals of neighborhood friends and relatives; it was whispered that she would become a great singer…her first break came at the age of twenty-one when she was featured on Radio Nacional (later Radio Belgrano) and the response from the public was enthusiastic; invitations from other radio stations quickly followed

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In 1936 she recorded her first disc; on one side “Castigo” by Juan Polito and on the other side “Sueno Fue” by Luis Rubenstein…although she made some short tours abroad, her career was almost entirely on radio…during one of those radio gigs she fell in love with violinist and orchestra leader Francisco Rotundo whom she would marry in 1949…during one of Peron’s speeches she became infected with his politics and became a fervent worker in his movement; at a certain point she left singing to devote herself to the cause…along the way she became a trusted friend of Eva Peron who appointed her the national director for the women’s Peronist movement; in 1952 she was elected senator on the party ticket…she returned to the air waves briefly when she recorded the Peronist Party hymn “Evita Capitana”…in 1972 she attempted a come back with her album “Canto Para Mi pueblo”; her fans were pleased that the voice that had made her so beloved thirty years earlier was still there

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CLICK HERE– http://www.todotango.com/
English/Las_Obras/Grabacion.aspx?id=1294 to hear Juanita Laurrari sing “Castigo” composed by Juan Polito with Lyrics by Luis Rubenstein

1921, March 11 – BIRTH OF ASTOR PIAZZOLLA

Composer, Leader, Bandoneonist, Pianist (Pisces) –“You idiot, that’s Piazzolla”Nadia Boulanger screamed at a young Astor Piazzolla; looking back on a story book career many years later he would say“in a mere matter of ten seconds, she had sent to hell ten years of work”…perhaps more than any one else, it was Nadia Boulanger, renown music teacher of the twentieth century, who was responsible for the eventual emergence of the genius Astor Piazzolla…he had been ashamed of his tango roots and his bandoneon; his true soul, he thought, belonged to Mozart and Bach but the astute Boulanger set him on the right destiny…the destiny of combining classical, jazz and tango all cemented by the musical milieu of New York where he grew up…it was a fateful day in 1953 when it was suggested to him to enter one of his compositions into the “Fabien Seveitsky Competition” which he did very reluctantly, he just did not think his work was good enough…to his great surprize, he won first place and a scholarship to study with the legendary Nadia Boulanger in Paris

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Although Astor Piazzolla was born in Argentina he was raised in New York and his music, his character and his life reflected that ambience; he even spoke english with a New York accent…his granparents had been immigrants from the ancient town of Trani, a settlement of ancient jewish scholarship in the region of Puglia in Southern Italy…as a boy he went through a series of operations due to a polio deformed right leg; his father advised him to be tough and to never let anything defeat him a lesson he learned all too well; he was once thrown out of school for aggressive behavior…the composition which won him his first popular acclaim was “Ballada Para Un Loco” which was premiered in 1969 by his second wife Amelita Baltar at the First Iberoamerican Music Festival where it won second place…his immortal “Libertango” was composed during the period that he lived in Rome in the 1970s…in his prolific career he would compose over 1000 works including orchestral works that continue to be played by orchestras the world over…Astor once said, “music is more than a woman because you can divorce a woman but not music…once you marry her, she is your everlasting love and you go to the grave with her”…he also once said of the most famous tango in the world, “La Cumparsita”“the worst of all tangos”

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1913, March 10 – BIRTH OF ENRIQUE CAMPOS

Singer (Pisces) – he was torn by the whole idea; he had already spent years with a stage name and now Ricardo Tanturi was telling him he had to change it again but the chance to replace the renown Alberto Castillo with his “Los Indios Orchestra” in Buenos Aires was a major break and so he reluctantly aquiesced…Ricardo Tanturi opened the phone book at random, scanned the page and said, “ah, here it is ‘Enrique Campos’”…ludicrous as the whole scene was, it embarked the realization of his boyhood dreams…he debuted with Tanturi on Radio El Mundo to critical acclaim and soon after, he made his first recording; on one side “Muchachos Comienza la Ronda” by Luis Porcell and on the other side the waltz “Al Pasar” by Raul Iglesias…a dedicated family man, many years later reflecting on a long and full career, he would recall that, that was also the year that he met his beloved wife with whom he would raise a proud and successful family

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He was born Enrique Troncone to struggling Italian immigrants in the outskirts of Montevideo, Uruguay…his parents noticed him musical talent on and encouraged him as far their humble means could permit…he began singing at a very young age in the local bars and cafes while during the day time doing all sorts of odd jobs to help support the family…his professional debut came relatively late for a singer of that era; it happened at the Cinema Helvetico in the village of Colonia Suisa, originally a swiss and german settlement; he was twenty-three years old…his first break came when he was called by Radio Station CX 18 and in March of that year he debuted on the station’s popular program“Caramelos Surtidos” with two guitarists; the telephones began to ring at the radio station and his popularity began to skyrocket…in his career he would sing with a number of orchestras and make several hit recordings; he starred in one film “Radio Candelario” which premiered at Radio City Cinema on August 21, 1939

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  • CLICK HERE –

http://www.youtube.com/watch?v=6YAxXDtbI0s&feature=related to hear Enrique Campos sing “Oigo Tu Voz” (I hear your voice) with the Ricardo Tanturi Orchestra…music by Mario Canaro, lyrics by Francisco Garcia Jimenez