Posts Tagged ‘ how to become sexy ’

1937, February 22 – ROBERTO RAY RECORDS “SOLLOZOS”

“A man deceived me” she says humiliated and destroyed…the lyrics of “Sollozos” tell of the pity a man feels for a girl he finds sobbing…he notices a locket round her neck with a man’s picture in it; tenderly he counsels her, “forget your past, if he shed no tears for you, shed no tears for him”…originally composed by Osvaldo Fresedo in 1922 with lyrics by his brother Emilio Fresedo, the word “Sollozos” means sobs,; it was a major hit for the mythical combination of Osvaldo Fresedo with singer Roberto Ray…it was first recorded by Rosita Quiroga in 1922 without making much of an impact…through the man’s empathy and concern, she is strengthened; she remembers her mother, she recovers her pride…he remembers nostalgically her pained lips and the smile she gave him…Emilio Fresedo’s lyrics were no small reason for the attainment of his brother’s legendary status; some of their hits together include, “El Once”, “Canto de Amor”, “Siempre Es Carnaval”

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Unlike the overwhelming majority of tango greats, the Fresedo brothers came from a rich aristocratic family and there were heated battles with their father who had envisioned much more austere careers for his sons…in fact Osvaldo Fresedo’s music appealed to that part of the upper class that dared to admit that they loved tango…he was so popular that he kept several orchestras going simultaneously and Osvaldo would go from club to club to appear with each group for a few minutes before making his presentation at another venue…Roberto Ray with his refined, sensitive style was perfect for the Osvaldo Fresedo Orchestra and in fact they would work together for 30 years…Roberto Ray was born on December 21, 1912 (Sagittarius) in the neighborhood of San Cristobal, Buenos Aires…he started with Osvaldo Fresedo in 1931 and together they would create tangos that have never been out of popularity; hits like the legendary “Vida Mia”, “Niebla de Riachuelo” and “Recuerdo de Bohemia”

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1983, February 20 – “CHANY” DEAD AT 28

Luis Hernandez, an accomplished, self-made man, was stunned at his sense of powerlessness; his beloved Rossana was dying and he could do nothing about it…he had brought her to his country retreat away from everything where hopefully with his love and attention and prayer she might recover and yet inspite of it all, she was deteriorating…they were resigned to the inevitable but at least they could still get married, doctors assured them that there was time for that and so with great delight, they immersed themselves into the plans for that beautiful day ; but fate would deny them even this for on the evening on February 20, 1983 with him by her side, holding her hand, whispering of better things to come, she passed away…she was 28 years old…Rossana Ines Falasca “Chany” was born in Humbolt, Argentina on Aril 27, 1953 (Taurus) to Ado, a struggling  Italian immigrant tailor and Filomena Theler daughter of Swiss immigrants; she was the third of six children in a family full of music…

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Her father was a singer and in the evenings he had his own little group which brought in a little extra money…already from a young age Rossana was different, sensitive, inquisitive, philosophical and in fact later she would be a student of Zen and a practitioner of yoga….when Rossana was ten years old, Ado noticed her singing spontaneously in perfect pitch and he was inspired to create a singing duo of  ”Ado and Chany”…one day in a performance at the town of Rafaela, a producer from the show “Grandes Valores del Tango” heard Rossana sing and invited them to Buenos Aires…at her audition she sang one of the only two tangos she knew “Madreselva”; the response was electrifying and at the age of 16 she was offered a four-year contract…from there her career very quickly took off…in November of 1982 during a routine medical examination a malignant tumor was detected and she was immediately rushed to surgery; the prognosis however was not good…dealing with fear and pain, Rossana courageously continued her career completing tours of Latin America and the United States where she lived for a while…she was to star in three films…at her funeral one of  the legions of  her fans said, “I was only ten years old when I first heard you….you gave me the gift of so much tenderness and you shall always be in my heart”

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  • CLICK HERE – http://www.youtube.com/watch?v=CosGKs3YS1Y to see “Chany” sing in her last performance “Soledad” where the lyrics say, “I refuse to hear that from, your sweet life, you have torn me out…my soul pleads hopelessly for the call that will never arrive”

1881, February 19 – BIRTH OF GABINO C. PENALOZA

Descending on his mule from Chilecito, Gabino Penaloza was very alone but at home among the stark, natural beauty of its cliffs and valleys…it had been a particularly wet year and the aromas of nature were strong…nearing the town of Olta the trail became more boggy and in the distant he could hear the bellowing of the river…in fact its banks had overflowed and he was forced to wait for the water level to recede…that evening at the joyous town gathering, was when he first saw the lovely, demure girl playing the piano; in the coming days they would spend much time together and fall in love…finally the water had receded and he could continue on his journey  but he promised he would return as soon as possible…but on the day of his return his beloved was no where to be found….the discovery that she was pregnant had brought great shame to the family and they had spirited her off in a hastily arranged marriage; the year was 1903…it was this crucially painful experience which was to be the inspiration of his poem “Caminito” which in time, along with “El Choclo” and “La Cumparsita” would become one of the three most beloved tangos of all time

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Gabino Corea Penaloza  (Pisces) born in La Paz and from early on he showed an inclination to poetry but at the age of 15 he moved to Buenos Aires where by day he did a number of jobs and by night he wrote poems; in time they would begin to appear in the renown “Caras and Carretas” magazine…he would frequent the cheap cafes and bars where he was friends with aspiring musicians and singers like a young Carlos Gardel and especially Juan de Dios Filiberto who would compose the music for “Caminito” and with whom Gabino would collaborate on several other tangos including two hits, “El Besito” and “El Panuelito”…he would publish three celebrated books of poems some of which would be used by a number of composers…but he had a difficult and trouble ridden life in the big city and at the age of forty-five he followed his heart  to his beloved Chilencito where with his books and poems he lived to the age of 95 haunted to the end by the memories of that beautiful girl playing piano and the son he never met.

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1923, February 18 – VALENTINO DANCES AT TRIANON BALLROOM

By the 1920s several dance crazes had swept American, non more than tango….but politically powerful anti vice forces also criticized dance halls and in particular tango  as unhealthy, immoral venues for the seduction of women and the practice of prostitution…hoping to capitalize, Andrew Karzas, invested one million dollars into the construction and promotion of a new dance hall on the South side of Chicago, “The Trianon Ballroom”…the interior was designed to accommodate enormous crowds of up to 3ooo dancer in the main hall and another 3000 in the upper floor…to protect his investment against the moral reformists, Karzas instigated strict rules of conduct which were enforced by six men and women who would evict offenders…a prominent sign read, “we do not allow spooning or petting between the dances” …it is in this atmosphere that Karzas took the courageous act of booking living legend Rodolfo Valentino.

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Born in Italy, Valentino danced with his second wife Natacha Rambova to the delight of six thousand delirious fans some of which, it is said, actually fainted…  Natacha Rambova was a costume designer and art director when he met her on the set of the film “Uncharted Seas” in 1921…he married her in Mexicali Mexico but as soon as he returned to California, he was arrested for bigamy as California law required a one year waiting period between marriages…Natacha was a disaster; she was controlling and unsocial causing him many problems personally and professionally; two years later they had a bitter divorce…at the news of  Valentino’s sudden death, 2000 people crammed into the Trianon Ballroom to hear a eulogy from Judge Francis Borelli, president of the Valentino Memorial Association who said of Rodolfo, “he was ever the personification of romance, he was the ideal of love at once Cyrano, Romeo and Don Juan”

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1886, February 17 – BIRTH OF GENARO ESPOSITO

Leader, Composer, Pianist, Bandoneonist (Aquarius) – Genaro was perched precariously on a step-ladder with nail and hammer in hand, concentrating on the hanging of a picture when his guest bellow uttered a phrase that almost made him fall, “would you like to help me organize a group to play in Paris”...little did he suspect what an epic saga his life was about to become…Paris was a dream that a boy born to struggling Neapolitan immigrant parents in the neighborhood of San TelmoBuenos Aires did not dare to have; and yet, here he was on a cruise ship heading toward Paris, the cultural capital of the world…but on the way tragedy struck, the violinist of the group, Victor Jachia, suddenly had a massive heart attack and died…Genaro Esposito was devastated but with typical “porteno” resolve he persevered and survived initially playing in Marseille for spare change…In time his “Orchestre Argentine Genaro Esposito” would become the toast of Paris performing in its most prestigious clubs, ”El Garron”, “Casino de Paris”, the “Coupole Dance Club” and later critically acclaimed European tours

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Genaro would be a big factor in making tango a boom in Paris and therefore the world…in 1934 at the height of success he fell in love with a beautiful young French girl, Jeanne Vent…she rewarded him with the birth of a boy “Claude” of whom Genaro was immensely proud but then tragedy struck for the second time, Jeanne died leaving him to the care of their 11 month old child…he was never quite the same again…on June 14, 1940 the unimaginable happened, the German army entered Paris…interestngly, as they entered they played the San Lorenzo march composed by Cayetano Silva in 1901…a pall descended upon the city….little by little Genaro had to sell everything he owned just to eat; what little money he could earn came from playing his bandoneon for drunken German soldiers on leave from the Russian front……he had an opportunity to return to Buenos Aires but he steadfastly refused, he was a loyal French citizen now and he would stand by her and by his beloved Paris…sadly, the end came on January 24, 1944 when he succumbed to complications from pneumonia; as per his deathbed request, he was buried next to his beloved Jeanne…just seven months later allied forces would liberate Paris…with “Le Marseillaise“ still reverberating in his soul, General Charles de Gaul, in his liberation speech proclaimed, “Paris, Paris!, Paris outraged!, Paris broken!, Paris Martyred! but Paris liberated!.

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1861, February 16 – BIRTH OF ANGEL VILLOLDO

Singer, Lyricist, Guitarist, Pianist, Violinist, Harmonica (Aquarius) – he was a fascinating man, a sort of Ernest Hemingway and Bob Dylan all in one…he was a prolific composer and lyricist having written some of the most beloved tangos in history….his immortal tango “El Choclo” was so ubiquitous that during World War I, German officers wishing to honor a visiting Argentinean dignitary mistakenly played El Choclo believing it to be the national anthem…year later Carlos Disarli would record one of its most successful versions in history…it continues to our very day to be one of the most instantly recognized pieces of music in history and yet when it premiered at the exclusive “El Americano” restaurant in Buenos Aires, the leader of the orchestra had to disguise it by calling it “Danza Criolla” as the owner did not like tango music…Angel Villoldo was born into a destitute family in the neighborhood of Barracas…he quit school early to work and did many types of jobs including teamster, herdsman, topographer, writer and circus clown….

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But he heard music always in his mind and when he was guiding his team of horses through the mud or hostile elements he was composing in his head….he began acquiring fame performing his composition while accompanying himself with guitar and harmonica in the local cafes and bars; in 1889  he published “Cantos Criollos” a book of lyrics meant to be sung with guitar accompaniment….interestingly, he invented the apparatus which allows the playing of the harmonica while strumming the guitar which many years later would become the symbol of a young, tormented Bob Dylan…he wrote a sort of popular comics which were full of wit and sarcasm using the argot from the lowest rung of society…he devised a method of learning to play guitar using symbols called “Metodo America” which he published in 1917…his first tango hit “El Portenito”, was sung by Dorita Miramar in 1903 on the stage of the Parisien Varitè Show featured at the legenday Moulin Rouge…his “Cantar Eterno” was an early hit for the RazzanoGardel duo in 1917…for Gath and Chaves, he traveled to France to use state of the art recording equipment to record tangos and helped popularize tango in France; he wrote the lyrics for “La Morocha” which was the first beloved tango in Europe…and finally, he left as he came, poor, when he was run over by a tram at the age of 58

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1940, February 15 – ROBERTO RUFFINO RECORDS “ALMA MIA”

The lovelorn boy in “Alma Mia” says, “dear heart who are you dreaming of…I have come to disrupt your peace…but oh, don’t blame me, for you see I am a bard…whose only wish is to weave into your sweet dream, a porteno lyric inebriated with love” …this was a major hit for singer Roberto Ruffino; he was 18 years old and earning sums of money he had never dreamt of…in the late 50s, with the tango fashion now waining, he would begin a second simultaneous career as a pop singer under the alias “Bobby Terré” on Radio El Mundo and when he sang before its live audiences he would wear a mask and be billed as the “Masked Bobby Terre”…he was born January 6, 1922 in the mythical neighborhood of El Abasto, Buenos Aires…he began singing in the Cafe O’Rondeman, the same one that launched Carlos Gardel.

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His major break came in 1938 when Carlos Garay, the agent for Carlos Di Sarli, happened to hear Ruffino singing and liked what he heard; he recommended him to Di Sarli..his first recording with Di Sarli, “Corazon” with lyrics by Hector Marcò which he recorded on December 11, 1939 was a hit…he would record 46 tangos with Di Sarli…In 1944 he launched a solo career debuting on Radio Belgrano where he was backed by his own orchestra directed by the respected Atilo Bruni…he had brief stints with the  Francini-Pontier, Miguel Calo and Anibal Troilo orchestras…he was also an accomplished composer and lyricist of popular tangos like Sonemos which was recorded by Hugo Duval with the Rodolfo Biagi orchestra and “El Bazar de Los Jugetes” which was recorded by Alberto Podestà with the Miguel Calò orchestra.

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1885, February 14 – BIRTH OF “EL CACHFAZ”

Dancer (Aquarius) – his last words were“Carmencita, I will be waiting for you to drink half a glass of whiskey after the match”, he walked out and a few seconds later he dropped dead from a massive heart attack….starting as a dirt poor boy, El Cachafaz, was to become, in the eyes of many, the greatest tango dancer of his time…he attained fame and glory and earned and spent huge sums on a bohemian life…and yet he died penniless, his friends had to take up a collection to pay the 800 pesos for a simple funeral….reflecting on that day at the city of Mar de Plata at the club “El Rancho Grande”, his partner Carmencita Calderon, who would live to 100, would say, “he was actually pocked-marked and ugly but he was the greatest tango dancer and many women fell in love with him”…El Cachfaz had even  survived the mythical duel with El Pardo Santillan, another great dancer, which El Cachfaz had won and which just barely missed turning into a bloody knife fight as was the custom in those times for men to protect their honor

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Ovidio Jose Banquet “El Cachafaz” was born in Barracas al Sur but grew up in the legendary Abasto neighborhood in Buenos Aires…apparently he was quite mischievous as a boy and one day he took undue liberties with a girl and when the girl’s father complained, his father is said to have shouted, “mi hijo es un cachafaz” (“my son is a rascal”); the name would remain with him for the rest of his life…he began dancing as a young boy on the sidewalks to the organists who played for spare change…at the age of 19 he won an important dance contest at the El Parisien Club which had been organized by the prominent Baron de Marchis…it is de Marchi who would introduce him to the high society ladies who would help his career and pay him huge sums for private lessons…in 1919 he went to Paris to perform at the famous “Club Garron” with the Manuel Pizzaro orchestra but he missed his life in Buenos Aires especially the Cafe Corrientes to where he assiduously went everyday at six in the afternoon to drink with a tight group of friends including Carlos Gardel…he danced with the legendary Sofia Bozan in “Carnavales De Antano” in 1940…his life inspired composer Miguel Bucino to write “Bailarin Compadrito” in 1929…he danced with Carmencita Calderon in the renown film “Tango” in 1933

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1891, February 13 – BIRTH OF IGNACIO CORSINI

Singer, Composer, Poet (Aquarius) – Soccorro Salamone was desperate, for not only was she poor but the blemish of being an unwed mother meant that her young son Ignacio did not have much of a future; his father, a certain “Corsini” had disappeared as soon as he found out that she was pregnant…….these were tough time in the ancient greek town of Troina, Sicily whose historical relics date back to the 7th Millenium BC…40 years later, Troina would be the seat of a famous World War II battle between Nazi and Allied forces commanded by General George S. Patton…..one day, mustering tremendous courage, young Soccorro with little Ignacio in tow, mounted a horse carriage and descended Troina to begin the long journey to Naples where she boarded a ship to Buenos Aires…she settled in the neighborhood of Almagro and began working long hours as a washer woman…when Ignacio was ten years old they moved to the country where the boy began working as a herdsman and ox driver…many years later, reflecting on those long solitary hours in the countryside, Ignacio Corsini, now a famous and successful singer would say, “birds taught me the spontaneity of their singing, in the great scenery of nature…to sing like them, naturally with no effort”…

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Around the age of 17 he met a circus clown Jose Pacheco who introduced him to the theater and by the age of 21 he had already achieved a certain amount of fame and prestige…from Pacheco he obtained one other thing, his daughter Victoria whom he would marry in 1911…in his autobiography he would write that it was, above all, her encouragement during difficult times that was responsible for his success; he would remain loyal to her for his whole life…On May 12, 1922, in the one-act play “El Bailarin del Cabaret”, he premiered “Patotero Sentimental” which was his first major hit…his only composition to become successful was “Tristeza Criolla” which in the 40s was a major hit for singer Angel Vargas…Above all, it was his renditions of the creations of the team of Enrique Maciel as composer and Hector Blomberg as  lyricist which would make his name legendary…the loss of his wife from a debilitating disease left him sad and embittered; she was his whole life…dedicating his performance to her, he sang for the last time on May 28, 1949 on the show “Argentinidad” on Radio Belgrano

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1998, February 12 – PREMIERE OF SAURA’S “TANGO”

Mario is devastated, his wife has left him for another man and to make matter worse, he has to see them together every day as they are dancers in the tango film he is making…the financier of the film, a powerful and dangerous man, asks him to give a part to Elena, a young, beautiful dancer who is his lover (Elena is played by Mia Maestro who would later star in “Frida”, another film with a tango scene in it)…Mario eventually falls in love with her and the two begin an affair together risking both their lives; in the mean time, the making of the tango film goes on….it is roughly a remake of the mythical Moglia Barth “Tango” of 1933…it won a nomination for an academy award and has won awards in film festivals all over the world primarily for the dancing and the cinematography which was created by academy award-winning Vittorio Storaro who also did “Last Tango In Paris”…”Tango”, one of the best tango films of all time was directed by renown Spanish director Carlos Saura, famous for his combination of passion and dance in films like  ”Carmen” and “Flamenco”…Janet Maslin, the New York Times critic was to write of the film, “Tango offers transfixingly beautiful glimpses of the dance and all the wide range of emotions it can conjure”

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One of the most exciting scenes in the film occurs when mythical tanguero Juan Carlos Copes dances with his daughter Joanna Copes…Copes is one of the last remaining of the great, authentic, tangueros of the golden era who has done everything in tango for 50 years…he began dancing as a young boy in the bars and clubs of Buenos Aires; his hero was Gene Kelly …but he had decided on a career as an electronic engineer when at the age of 20 he happened to win a tango contest in which 300 couples were competing…it launched a career which would take him all over the world…the film also featured a young singer Roxanne Fontana who would  go on to become one of the most gifted and versatile  tango singers in history…”Tango” includes a clip from the 1955 classic “Mercado De Abasto” in which Tita Merello sings her great hit “Se Dice De Mi”…Juan Carlos Copes got to meet his hero Gene Kelly who summoned him to his house in his waning days … “tango”, Copes  says, “is the only dance that allows imagination and creativity to form in three minutes and to become a history of love and of hate”.

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