Posts Tagged ‘ tango history ’

2010, March 31 – PREMIERE OF “THE TANGO SINGER”

“I am sorry to keep saying it, but I don’t love you any more Helena”…psychologists tell us that these are the most painful words that a human being can hear and yet this is exactly what Conrado tells Helena; he is in love with another woman…but Helena is madly in love with him and these simple words destroy her…the words come precisely at the moment that her singing career is about to take off and she has been offered a performance at a prestigious venue in Buenos Aires but she is unable to sing…she becomes a mere shell of her former self, she is hysterical, out of her mind, obsessive, she follows Conrado and telephones him incessantly and finally, the extreme pain leads her to cut herself with broken glass…not unlike the legendary Libertad Lamarque in real life, she hits bottom, loses everything…she finally moves to a small French seaside town where she finds work in a simple bakery confirming Khalil Gibran when he says of love’s pain “he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast”

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“And so I embarked on a long period of research to track down the tangos that not only touched me musically but would also carry, through their  poetry and their emotions and the message of  the film”, said Director Diego Martinez Vignati…perhaps that is why his film “The Tango Singer” is one of the very few films in history that manages to perfectly weave the art of film making with tango music and dancing…The film is punctuated by intense bursts of tango masterfully weaved into the fabric of the film and provide an insight into Helena, brilliantly portrayed by actress Eugenia Ramírez Miori…Vignatti was born 1971 in Bahia Blanca Argentina; the birth place of Carlos Disarli; in fact half of the “The Tango Singer” was filmed there; the other half in Belgium where Vignati has lived since 1997…he graduated from law school in Argentina but studied film at the prestigious INSAS in Brussels…the film features the renown vocalist Oscar Ferrari who passed away soon after making this film...one noted critic said of the film, ”it manages to do what was only attempted by Sally Potter in “The Tango Lesson”, Carlos Saura in “Tango” and Robert Duval in Assassination Tango”.

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CLICK HERE– http://www.youtube.com/watch?v=IddZnvnBEwM&feature=related to see a clip from the film “The Tango Singer”

1920, March 30 – BIRTH OF RAUL BERON

Singer (Airies) – Raul Beron is considered by many as the best tango voice in history and yet in the eyes of cognoscenti, Jose his older brother, had the talent surpass his legendary brother but preferred the bohemian night life …but it wasn’t only these two brothers but the whole family that seemed particularly gifted…their sister Elba for example, would record several hits with the Anibal Troilo Orchestra….they  were the children of Adolfo Manuel Beron, a guitarist and composer who encouraged his children to play and sing; theirs was a household visited by Adolfo’s musician and artist friends….their first taste of stardom occurred when Adolfo organized his five children into “Los Portenitos” which began singing in the cafes of their home town of Zarate…Raul Beron was only ten years old when he formed a duo with his brother Jose; they debuted at the Kity Dance Cabaret in Montevideo  to great acclaim; they were soon singing on the prestigious Radio Belgrano…Raul came to the ear of Jose Razzano who became his mentor and in fact in time Raul developed a Gardelian, baritone style like his hero Carlos Gardel…

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His major break came when Miguel Calo asked him to join his orchestra; he was nineteen years old…his debut at the Club Dancing Singapur was met with to ecstatic applause…on April 29, 1942 he recorded “Al Compas del Corazon” a phenomenal hit; within a span of five months two other hits were to follow, “Lejos de Buenos Aires” and the milonga “Azabache”..the next year he appeared in his first film “Todo Un Hombre”  directed by Pierre Chenal who had narrowly escaped nazi occupied France to move to Argentina…Beron later had brief stints with the orchestras of Lucio Demare and Francini – Pontier with whom he recorded another hit “Remolino”…later he joined the revered Anibal Troilo Orchestra with which he would produce several popular recordings and sing in the film “Mi Noche Triste”…it is interesting to note that in his lifetime he was not as popular as singers like Fiorentino, Rufino and Marino and yet with the passing of time it is Raul Beron who aquires legendary status…..on June 28, 1982 he was scheduled sing at the “Cafe De Los Angelitos” but when his wife went into the bedroom to get him, she found him dead; like his brother Jose and his sister Elba he died relatively young of a heart attack

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1951, March 29 – OSMAR MADERNA’S LAST RECORDING

Saturday afternoon had finally arrived, it was a day he looked forward to all week, his flying day….Osmar Maderna had two loves in his life, music and flying his Eurosocpe 415 CD, a passion he shared with his contemporary Osvaldo Fresedo….the skies over Lomas de Zamora was especially limpid and his fellow pilots were exuberant…flying 200 meters in the air Osmar playfully oscillated the wings at an adjacent pilot as he had done many times before only this time his wing hit the wing of the adjacent plane causing it to lose lift, spiral and hit the ground in a fiery crash…Osmar Maderna, the “Chopin of Tango”, at the pinnacle of his career, was dead at the age of thirty-three years old; just one month earlier he had made his twentieth recording at the RCA Victor Studios…Osmar Maderna was the eighth child of a poor immigrant family in the village of Huajo, Argentina…his father who was a musician was his first piano teacher…from early on young Osmar demonstrated an unusual sensitivity and gift for music…his love of Chopin showed in his subtle, ethereal, romantic touch; at the age of thirteen he put together his first group calling it “Vitaphone”…

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At the age of 20  he arrived in Buenos Aires where he performed on the radio as a soloist playing classical music and some tango…the young prodigy began developing a name for himself; that year he was invited by Miguel Calo to join his orchestra…here he came in contact with three young would-be greats Enrique FranchiniArmando Pontier and Domingo Federico…in 1945 he started start his own orchestra and debuted at the mythical Marzotto Cafe later earning performances at Tango Bar and Radio Belgrano…one year later, he made his first recording, the beautiful instrumental “Chiquè” …some of his most beloved compositions include  ”LLuvia de Estrellas” which shows his love of Chopin’s waltzes and nocturnes and “Concierto En La Luna” which reflects his love of flying but his biggest hit was the waltz “Pequena” with the voice of Hector de Rosas…it was such a massive hit that in the first few months alone there were more than 120 different renditions by different artists…he starred in the film “Al Compas de Tu Mentira” and is credited with having started “Tango Fantasia”

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watch?v=AsdliPd9cFQ to hear the Alfredo de Angelis perform Osmar Maderna’s greatest hit “Pequena” with lyrics by Homero Exposito and the voice of Carlos Dante

1936, March 26 – PREMIERE OF FILM “CANILLITA”

Florencio Sanchez, eighteen years old, dreamt of marrying his sweetheart but his job as a journalist just barely provided enough to live on and when he went to see his sweetheart was embarrassed to put on, his one and only threadbare suit…watching the rascally, mischievous, bold newspaper boys jumping off and on the trams shouting the headlines to passengers and passersby, he was inspired to write a play; “Canillita” which referred to the long thin legs on which they scurried about…to his astonishment, when it was premiered on October 1, 1902, it was not only immensely popular but would capture the imagination of the world inspiring similar characters all over the world….Astor Piazzolla, for example, would play newspaper boy “Canillita” in Carlos Gardel’s film “El Dia Que Me Quieras”…instead the film “Canillita” premiering on March 26, 1936, is a musical comedy in which a young girl falls in love with a singer and elects to runaway with him rather than marrying a store keeper to whom she is promised…

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Directed by Lisandro De La Tea it stars singers Amanda Ledesma, Sabina Olmos and Principe Azul…it features Pedro Maffia and his orchestra playing the theme tango “Canillita” which was composed by Julio Cesar Sanders…Amanda Ledesma was a simple shop girl who loved to sing who reluctantly entered a singing contest and won which launched a long and glorious career…this was the first film for Sabina Olmos; thirty more would follow and she would marry legendary singer Charlo…however, years later, Charlo now dead and she penniless and all but forgotten, she would take her own life by jumping from a high story building…Principe Azul was a highly paid singer and the powerful star making machine of the United States had selected him as the new Carlos Gardel; in fact he was on his way to New York to sign a contract with NBC, when he was suddenly struck with a serious illness which swiftly took his life just two days short of his 34th birthday

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letra.aspx?idletra=3023 to hear another inspiration, “Canillita, Canillita” performed by the Francisco Pracanico Orchestra with the voice of Sofia Bozan, 1928

1948, March 24 – 1ST RECORDED, “UNA CARTA PARA ITALIA”

“Shameless propaganda !” was how this tango was angrily described by its detractors…it was in fact propaganda for the Juan Peron regime…composer of “Una Carta Para Italia” Santos Lipseker was not only a prodigious and accomplished composer but a good businessman…however he was also known for his generosity, it was not uncommon for him to take the whole orchestra to dinner…the lyrics of “Una Carta Para Italia”, written by poet Reinaldo Yiso, are a letter from a young man to his mother back in Italy in which he describes how life is so much better in Argentina than in poor Italy all designed to sing the praises of Juan Peron’s governance…it is true that when Juan Peron came to power, for a brief period, the economy of Argentina went through a dramatic revival; in the 1920s Argentina had been the eighth richest country in the world only to crumble through a combination of the great depression and military dictatorship from which it has never recovered

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“Una Carta Para Italia” was recorded by the Francini-Pontier Orchestra with the voice of  Roberto Ruffino…Enrique Francini and Armando Pontier were both born in the town of Zarate, 100 kilometers north of Buenos Aires…in 1939 they began their careers together with the newly formed Miguel Calo Orchestra…six years later they debuted their own orchestra at the mythical “Tango Bar” with two young voices which in time would evolve, arguably, into the two greatest singers in tango history, Raul Beron and Alberto Podestà…along with Roberto Ruffino all three would see great success with Francini – Pontier…less known is the fact that Ruffino besides being a great singer was also a composer and lyricist; among his compositions are “El Bazarde los Jugetes” which would be made into a hit by Alberto Podestà in the mid 50s…Armando Pontier was the composer of some of the most beautiful tangos in history like “Trenzas”, “Corazon No Le Hagas Caso” and “Cada Dia Te Estrano Mas”…on Christmas Day of 1983, no longer able to silence the voices that haunted, he took his own life

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CLICK HERE– http://www.youtube.com/watch?v=ErLnFXnAxEo to hear “Una Carta Para Italia” which interestingly opens with the classic Neapolitan song “Santa Lucia”

1950, March 22 – PREMIERE “AL COMPAS DE TU MENTIRA”

Renown Argentine actor, Pedro Quartucci, who stars in this film was the protagonist of a fascinating story; as a young actor he had a relationship with an aspiring actress Eva Duarte the future wife of Juan Peron,”Evita” with whom he supposedly had a daughter “Nilda”…the little girl however was brought up as their natural daughter by himself and his wife Felisa Borborino…years later Nilda, now grown up and married, heard from her husband that her real mother had been Eva Peron…when she confronted her father, he admitted that it was true and her mother Felisa, at the eleventh hour, confirmed the story as well…Father Benitez, the priest present at the deathbed of Evita wrote that in her confession she spoke of “the great pain in her life” and he hinted that it was the fact of never having known a child born to her…besides this Pedro was a professional boxer before he became an actor…competing as a feather weight, he won a bronze metal in the 1924 Olympics…

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“Al Compas De Tu Mentira”, adapted from Oscar Wilde’s, “On The Importance of Being Ernest”, was directed by Hector Canzani and is a musical comedy with lots of dancing and tango music…Canzani spent most of his career as a poet and screenwriter but this film, which was moderately successful, bestowed him notiriety…this was to be the last film of Juan D’arienzo and his orchestra…other notables in the film include the Domingo Federico Orchestra with singer Jorge Casal singing the theme song “Al Compas del Corazon”…Edmundo Rivera, the only bass in a world of tenors and baritones,  sings “No Te Enganes Corazon” composed by Rodolfo Sciamarella…the ill-fated Osmar Maderna “the Chopin of Tango”, who would die young in an airplane crash, plays his “Lluvia de Estrellas” which is indeed reminiscent of Chopin’s ballads; he is accompanied by the Alfredo De Angelis Orchestra…

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2008, March 21 – RELEASED, “MATTSSON’S TANGO”

One reviewer said of “Mattsson Tango”, “I’ll go out on a limp here and say this is the best work he has ever done”...it is indeed a great leap forward for Lars Eric Mattsson who is Finland’s number one hard rock guitarist  and whose specific genre, described as “neo/classic metal hard rock”, would seem far cry from the sophisticated world of tango…however, this is, in a sense, a return to his roots for Lars recalls nostalgically as a little boy, his grandfather listening to treasured recordings of the legendary Olavi Virta, the king of Finnish tango…tango in fact, from the year 1913 when the Finns first discovered it, became the national music of Finland….in its history, tango has had far-reaching influence on many cultural forms around the world;  this is certainly the first time to evolve into “classic metal tango”…For his Mattsson’s Tango he enlisted the help of stunning vocalist Adrienne Antal whom one producer described as “the best female vocalist I have ever heard”

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Lars was born in the Aland Islands, the Swedish speaking region of Finland…it was as a boy that he discovered the guitar and it became his passion; in time he developed not only an amazing technique but a style all his own which has won him a legion of fans all other world…later he also became an accomplished pianist…he was a young, starving guitarist, when he was discovered by producer Mike Varney who first exposed him to the world in an introductory article about him in his renowned “Guitar Player Magazine”, the voice of his Shrapnel Records Label…Lars’s first recording was a four song compilation in 1985 which was well received by the public; he soon after founded  a band called “Vision” which was especially popular with the Japanese public…from there his success skyrocketed leading to the formation of his own production company “Lion Music” which gradually evolved into a record label

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CLICK HERE– http://www.youtube.com/watch?v=34fToAbQZeQ Mattsson’s Tango with the voice of Adrienn Antal