Archive for the ‘ Sun Sign ’ Category

1906, March 14 – BIRTH OF RODOLFO BIAGI

Leader, Composer, Pianist (Pisces) – sitting still in class for little Rudy was not easy; his soul was restless…his forays into the realm of day dreaming more often than not, brought him reprimand “Rudy, pay attention”…but lurking inside was a genius who would one day change the world of tango…in his brief three years with the Juan D’arienzo orchestra, his innovative beat on piano would help usher in “danceable tango”  and reinvigorate tango in the forties by appealing to young people…Rodolfo Biagi was born in the neighborhood of San Telmo, Buenos Aires to struggling Italian immigrants…he caused a family crisis when at the end of grammar school, young Rodolfo insisted on leaving school; his parent reluctantly agreed but they enrolled him in the conservatory of the newspaper “La Prensa” to study piano…being strong willed and independent, at the age of thirteen, without his parents’ consent he began playing in a silent film cinema

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One evening the legendary Juan Maglio (Pacho) happened to be in the cinema and was stunned by the precocious teenager at piano; he eventually accepted him into his orchestra, he was only fifteen…a major break occurred when in 1930 Jose Razzano interceded him backstage to ask him to accompany Carlos Gardel on a series of recordings…on April 1, 1930 he found himself next to the legendary Carlos Gardel in the recording studio…soon after he worked with a number of orchestras and along the way composed his first tango “Indeferencia” with lyrics by Juan Carlos Thorry…Rodolfo was a frequent customer of the Cabaret Chantecler where the Juan D’arienzo played nightly…his pianist Lidio Fasoli was notoriously late and one evening D’arienzo could endure no more and on the spot asked Rodolfo to take over at piano: with D’arienzo he would record 71 tangos…in 1938 Biagi left to start his own orchestra which debuted on September 16, 1938 at the Cabaret Marabu…in its long run his orchestra would record some immortal hits like the waltz “Lagrimas Y Sonrisas” and the tango “Quiero Verte Una Vez Mas” with singer Jorge Ortiz

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CLICK HERE – http://www.youtube.com/watch?v=_lo8iQ2QHWc to hear one of Rodolfo Biagi’s greatest hits “Lagrimas Y Sonrisas”

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1920, March 13 – BIRTH OF HECTOR MAURE

Singer, Composer (Pisces) – he was only thirty-five years old and his career in full bloom when two tragedies occurred; the first, the fall of the government of Juan Peron on September 19, 1954…tango was populist and the Peron regime was a populist one and consequently Hector Maure, like most tango artists, found himself blacklisted from radio stations; interestingly it had been Juan Peron himself who had nationalized most of the radio stations…the second event was that tango was beginning to pass out of fashion…to hasten this, the new regime, comprised of members of the upper middle class whose innate classicist instincts saw tango as undesirable, enforced curfew laws only in tango clubs thus helping to usher in the new rock and roll culture…still the Forastieri brothers fought hard to keep the tango candle flame from being snuffed out and they valiantly kept their tango club “El Rincon de Los Artistas” going…here Hector would perform for ten years until May 9, 1976; three days later he would die unexpectedly from a massive heart attack

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Hector Maure was born in the neighborhood of Palermo, Buenos Aires to a struggling Italian immigrant father and a mother from Lugo, Galicia Spain…he had to quit school early to help support the family…as a boy he loved to sing but his big dream was to become a boxing champion…in a key fight which could launch his career and which he was expected to win, he was severely injured and he was told that he could no longer fight; it is at this point that he decided to devote himself to singing…at the age of eighteen he reluctantly entered the renown Puloil Soap singing contest on Radio Belgrano and to his surprize, out of hundreds of candidates, he was selected the winner by the public at large…his career took off from there; he eventually would become the vocalist for the Juan D’arienzo Orchestra; one of the most successful of the day…he would later embark on a busy solo career…his most successful  composition was “Oro Y Diamantes” which was recorded by the Juan D’arienzo Orchestra

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1921, March 11 – BIRTH OF ASTOR PIAZZOLLA

Composer, Leader, Bandoneonist, Pianist (Pisces) –“You idiot, that’s Piazzolla”Nadia Boulanger screamed at a young Astor Piazzolla; looking back on a story book career many years later he would say“in a mere matter of ten seconds, she had sent to hell ten years of work”…perhaps more than any one else, it was Nadia Boulanger, renown music teacher of the twentieth century, who was responsible for the eventual emergence of the genius Astor Piazzolla…he had been ashamed of his tango roots and his bandoneon; his true soul, he thought, belonged to Mozart and Bach but the astute Boulanger set him on the right destiny…the destiny of combining classical, jazz and tango all cemented by the musical milieu of New York where he grew up…it was a fateful day in 1953 when it was suggested to him to enter one of his compositions into the “Fabien Seveitsky Competition” which he did very reluctantly, he just did not think his work was good enough…to his great surprize, he won first place and a scholarship to study with the legendary Nadia Boulanger in Paris

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Although Astor Piazzolla was born in Argentina he was raised in New York and his music, his character and his life reflected that ambience; he even spoke english with a New York accent…his granparents had been immigrants from the ancient town of Trani, a settlement of ancient jewish scholarship in the region of Puglia in Southern Italy…as a boy he went through a series of operations due to a polio deformed right leg; his father advised him to be tough and to never let anything defeat him a lesson he learned all too well; he was once thrown out of school for aggressive behavior…the composition which won him his first popular acclaim was “Ballada Para Un Loco” which was premiered in 1969 by his second wife Amelita Baltar at the First Iberoamerican Music Festival where it won second place…his immortal “Libertango” was composed during the period that he lived in Rome in the 1970s…in his prolific career he would compose over 1000 works including orchestral works that continue to be played by orchestras the world over…Astor once said, “music is more than a woman because you can divorce a woman but not music…once you marry her, she is your everlasting love and you go to the grave with her”…he also once said of the most famous tango in the world, “La Cumparsita”“the worst of all tangos”

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1913, March 10 – BIRTH OF ENRIQUE CAMPOS

Singer (Pisces) – he was torn by the whole idea; he had already spent years with a stage name and now Ricardo Tanturi was telling him he had to change it again but the chance to replace the renown Alberto Castillo with his “Los Indios Orchestra” in Buenos Aires was a major break and so he reluctantly aquiesced…Ricardo Tanturi opened the phone book at random, scanned the page and said, “ah, here it is ‘Enrique Campos’”…ludicrous as the whole scene was, it embarked the realization of his boyhood dreams…he debuted with Tanturi on Radio El Mundo to critical acclaim and soon after, he made his first recording; on one side “Muchachos Comienza la Ronda” by Luis Porcell and on the other side the waltz “Al Pasar” by Raul Iglesias…a dedicated family man, many years later reflecting on a long and full career, he would recall that, that was also the year that he met his beloved wife with whom he would raise a proud and successful family

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He was born Enrique Troncone to struggling Italian immigrants in the outskirts of Montevideo, Uruguay…his parents noticed him musical talent on and encouraged him as far their humble means could permit…he began singing at a very young age in the local bars and cafes while during the day time doing all sorts of odd jobs to help support the family…his professional debut came relatively late for a singer of that era; it happened at the Cinema Helvetico in the village of Colonia Suisa, originally a swiss and german settlement; he was twenty-three years old…his first break came when he was called by Radio Station CX 18 and in March of that year he debuted on the station’s popular program“Caramelos Surtidos” with two guitarists; the telephones began to ring at the radio station and his popularity began to skyrocket…in his career he would sing with a number of orchestras and make several hit recordings; he starred in one film “Radio Candelario” which premiered at Radio City Cinema on August 21, 1939

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  • CLICK HERE –

http://www.youtube.com/watch?v=6YAxXDtbI0s&feature=related to hear Enrique Campos sing “Oigo Tu Voz” (I hear your voice) with the Ricardo Tanturi Orchestra…music by Mario Canaro, lyrics by Francisco Garcia Jimenez

1885, March 8 – BIRTH OF JUAN DE DIOS FILIBERTO

Composer, Leader, Violinist, Guitarist, Harmonica (Pisces) – as a youth he was tormented, difficult, rebellious even a bully and finally he was practically thrown out of school and began working in a series of  menial jobs along the way becoming a fiery anarchist and strike organizer…one fateful evening while working at the famed Colon Theater as a mechanic’s assistant, he happened to see a performance of Beethoven’s Ninth Symphony and he was stunned; it changed his life…although unrefined, course and practically illiterate,  with tremendous determination, he enrolled at the Pettizini – Sttianessi Conservatory to study music for the first time and gradually the musical genius that was prowling inside his soul began to emerge…later he earned a scholarship to the to study with Maestro Alberto Williams at the prestigious National Conservatory…his tango “Caminito”, composed in 1926, along with “La Cumparsita”, “Il Choclo” and “A Media Luz” would become one of the most universally beloved and recorded musical themes in history…

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He was born in the mythical neighborhood of La Boca, Buenos Aires to a mother who was a descendent of  native americans and a father who was Genoese…many years later he would nostalgically recall his first taste of tango as a six years old toddler at his uncles cafe “La Estrellita”…battling symptoms of tuberculosis, his friend and physician Jose Ingenieros, himself an impassioned political activist and philosopher, advised him to move to the city of Guaymallen; his stay here inspired his first tango, the first of his tangos with distinctly indigenous chords…in 1932 he formed his first orchestra which debuted at the mythical Cafe Tortoni…he dared to include unusual instruments like clarinets and flutes and nativist themes but the critizism that naturally followed was difficult for him to bear…however, it was the beginning of a long and productive  career…among his numerous compositions are great hits like “Quejas De Bandoneon”, “Malevaje”, “El Panuelito”; Carlos Gardel would record sixteen of his tangos…toward the end of his life, reflecting on his career he would say, “my music is many things but above all it is feeling…of course feeling is not enough for you have to know how to express it”

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1900, March 2 – BIRTH OF KURT WEILL

“Hurry, hurry Kurt…we have little time to waste, the car is waiting” he heard his friend’s panicked voice cry out; Kurt hastily grabbed the sketches of the second symphony he had been working on and with nothing but the clothes on his back, he rushed out…in fact merely  hours later the Gestapo arrived at his door but by now he was on his way to Paris: it was March of 1933…just months later, for the play “Marie Galante”, he would compose the immortal “Youkali Tango” whose mesmerizing lyrics say, “Youkali is the land of our desires, happiness, pleasure…Youkali is the land where we forget all of our worries…the star we follow is, Youkali…but it is a dream,a folly for there is no Youkali”…in his short and troubled life, he witnessed the turbulent, first 50 years of the twentieth century;  a period of political instability, upheaval and decadence leading to human carnage as the world had never seen before…Kurt would leave a substantial and varied body of work  including cantatas, chamber music, orchestral works, songs, musicals…perhaps his best known ballad is “Mack the Knife” which would be a massive hit for Bobby Darin

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His most famous pieces are the stage works he wrote in collaboration with playwrite Bertold Brechtoddly their estrangement would come finally over politics; Kurt was a passionate socialist, Bertold a passionate communist…he was born in the industrial city of Dessau, Germany…his father a synagogue cantor and composer gave him his first music lessons…young Kurt soon earned the nickname of the “attic composer” for his habit of secluding himself in the attic to compose…in September of 1935 he sailed for New York to work on Broadway where among others he would work with Ira Gershwin…the relationship with his beloved wife Lotte Lenya was turbulent and one day she ran away with Austrian tenor Baron Otto Von Pasetti and the couple divorced; four years later they would remarry…she would become a passionate supporter of his work…observing the intense and often violent encounters of political parties after World War I,  Kurt was to write ominously “the mob is just waiting for the call to pillage and revolt and their favorite target will be the jews”

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1886, February 28 – BIRTH OF ANTONIO SCATASSO

Leader, Composer, Bandoneonist (Pisces) – he was rough and uncouth in his manner and in his dealings with people which sometimes caused heads to shake a little…with little education of any kind, he was a survivor of the streets but inside his restless soul resided a gifted musician…at the age of four, his destitute family had emigrated from Naples, Italy to Buenos Aires in the hope of a better life…Antonio learned to play the mandolin, the guitar, and the bandoneon with almost no training of any kind; later he would become a composer of simple and melodic tangos much beloved by the public especially theater audiences…his professional debut, around 1907 with the mandolin alongside violinist and future legend, Francisco Canaro…later he performed at the Cafe Parque but this time on bandoneon which he had mastered in a short period of time…

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In 1933 he met Ignacio Corsini at the Teatro Smart; a long and productive friendship and collaboration would follow including some notable performances on Radio Nacion…in the early part of the century, stage plays were the preferred method of entertainment and it was also the preferred setting to debut a new tango…a successful debut of a new tango in a stage play could mean fame and fortune for a composer…this was exactly the dream of Antonio when he premiered his tango “El Ciego” in the play “Chi Lo Sa” written by Cesar Bourel which premiered at the Apollo Theater in Buenos Aires…he would remain close to the theater for his whole life, in his later year strictly in management…among his numerous compositions were some great hits for some of which he not only composed he music but write the lyrics as well…in his career he would back up legends like Tita Merello, Ernesto Fama, Azucena Maizani

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