Archive for the ‘ Female ’ Category


Early on his parents realized that their son had a unique talent for singing and encouraged him…while still only in his early teens he found himself terrified on stage singing with the renown Americo Pioli Orchestra in his native Montevideo…it was the begining of a long and glorious career but whose trappings of success with its easy access to bohemian nights and alcohol would lead to his premature death…at the age of 19 Carlos Roldan took part in the Westinghouse Radio Station singing contest and while he did not win, it got him noticed by the right people…he began a series of appearances with orchestras in Montevideo…fortified with funds from a fundraiser held by friends and fans, he made the big move to Buenso Aires where he began with a round of appearance on radio stations culminating in a contract to do a series of shows based on Homero Manzi lyrics on Radio Belgrano…he later did a celebrated concert in duet with Mercedes Simone backed by the Pedro Maffia Orchestra….he would eventually join the legendary orchestras of Roberto Firpo and Francisco Canaro


Carlos Roldan was the first to record the milonga “Se Dice De Mi” on May 19, 1943 which was composed by Francisco Canaro….it was only moderately successful and then forgotten until twelve years later when Tita Merello sang it in Luca Demare’s classic film “El Mercado Del Abasto” which premiered in 1955…not only was it a huge success but she would be stronly identified with it her for the rest of tango history…her performance was in turn  inserted in Carlos Saura’s academy award nominated “Tango”which premiered in 1998…the lyrics, written by Ivo Pelay, are a tongue in cheek declaration of a woman who says, “I am ugly and I have a big nose and a body like a box, I move like a dinasaur and yet I have broken many men’s hearts”…50 years later “Se Dice De Mi” would again surface prominently when it was used as the theme song for the internatinally popular Colombian soap “Betty La Fea”




Singer (Taurus) – her first performance as a headliner at the Cafe Homero was a disaster; as she sang she was extremely nervous and she dare not look at anyone…the legendary Roberto Goyeneche “El Polaco”, sitting alone at the bar had not even bothered to turn to look at her….all of a sudden he turned and signaled her to approach him; she was mortified and had already started to apologize to him for her performance when he said, “kid, I am going to tell you something, I don’t like women tango singers but you grabbed my soul”…he would become her mentor and she would become the best-selling and the best known tango singer of a generation and undoubtedly one of the best of all time….her extensive fan base would include young people between the ages of 30 – 45 who are not particularly lovers of tango; in this respect, her career resembled that of Julio Sosa…ironically she came to tango late in life; she was originally a rock singer and then the intermission singer at the Cafe Homero on weekdays…one day, one of the main acts on weekends was absent and she was told that she had to substitute; she was terrified


In 1991 she recorded her first disk, a compilation called “Tango” which made people take notice; she was almost forty years old…two years later she recorded “Maquillaje” with guest singer Roberto Goyeneche for which she was awarded the coveted “Premio Ace”…in 2001 she released “Mas Tango” for which she won the prestigious “Premio Carlos Gardel”..several other albums followed one always more successful than the other…she would eventually conquer audiences all over the world; in Barcelona her delirious fans demanded several encores and applauded for a long time…..she feels that she has realized her parents unspoken dreams; the kind she now has her own two children…“dreams”, she says “are the only thing that saves you from insanity”…in 1991 she appeared in two films “Al Corazon” directed by Mario Sabato and “Plata Quemada” directed by Marcelo Pineyro…Carlos Saura opened his academy award nominated film “Tango” with her singing…she was born in the neighborhood of Avellandea in Buenos Aires and attended an all girls catholic school…as an eighteen year old she became active in politics participating in the communist youth movement and later the Peronist movement…in an interview she was asked what she would say to her beloved mentor “El Polaco” if he were to come back, “Polaco, don’t leave me”, she answered


1919, May 7 – BIRTH OF EVA PERON

In an eleventh hour revelation Elisa Bonorino wrote to her daughter, “dad brought you from the hospital and said that we should put our names on your birth certificate, some time later he told me that you were his daughter and Evita’s”.…supposedly when actor Pedro Quatucci worked with aspiring actress Eva Duarte out of a brief affair a baby was born who today is Nilda Quartucci and who claims she is Evita’s daughter…many stories have sprung up around the mythical figure of Eva Peron…she was born the illegitimate daughter of a wealthy rancher but she grew up in poverty and shame…at the age of fifteen, without education, no money and no connections, she arrived in Buenos Aires to pursue her dream of being an actress…her first break came was a role in a popular soap opera on Radio El Mundo…by 1943 she was one of the highest paid actresses and live in the exclusive Recoleta…


On January 22, 1944 at a charity at event for the victims of the San Juan earth quake she met labor secretary Juan Peron; they married the following year; he was forty-eight, she was twenty-two years old…The following year he was elected president of Argentina…it was announced that all performers had to join an entertainment union of which Evita was President… Peronism was a populist movement and tango was populist and therefore an ideal political tool but her heavy hand created friend and foe….singer Juanita Laurrauri for example would be criticized for giving  up a promising career to devote herself to the Peronist cause…the legendary Enrique Santos Discepolo would die of a broken heart when he was ostracized by fellow musicians for his impassioned support of Peronism…when the great Libertad Lamarque found all doors to her closed she went to see Evita who had the power to decide who worked and who didn’t….Evita purportedly denied that she had any hand in her being ostrasized but nevertheless Libertad was forced to emigrate to Mexico…Evita died of cancer at the age of thirty-three but one thing is true, she worked tirelessly and selflessly on behalf of the poor and for this she will be immortal and in the eyes of many, a saint



Singer, Composer, Poet (Aries) – there were nights she would wake up from a night mare and realize that it had been real…the knock at the door, the forced entry of armed soldiers, the beating of her parents, her sister dragged away with no knowledge of her fate only to learn later that she had been tortured and murdered in Argentina’s tragic “Dirty War”…Lina herself barely escaped being apprehended and she had to flee with an eight month old baby, changing houses seven times to avoid detection and arrest…it is this passion, the anger, the fear, the outrage that so many of its perpetrators have still not been brought to justice which she puts into her poetry and music…Lina Avellaneda was born in the Wilde neighborhood of Buenos Aires to a family of gifted musicians, circus performers, singers…her father, son of Italian immigrants, was passionate about tango; her mother of Spanish descent, until late in life, continued singiing Spanish “Tonadillas”…


Her cousin, Julio Pane, is a renown bandoneonist and composer who performed with Astor Piazzolla…she began performing when she was still in grade school singing folk songs; later she graduated from the Escuela De Bellas Artes (School of Fine Arts) and continued her musical studies with the legendary Sebastian Piana…she has won numerous awards for her music and has won nine awards for her poetry including the Mitominas first prize given by the Argentine poet Tamara Kamenszain…in 2005 she published to great acclaim, “Marron y Plata” a book of poetry about about the origins of the river and the arrival of its immigrants; many of her poems have been musicalized by renown composers…her performances, interspersed with her humor and monologues, have made her a favorite on Radio Belgrano and at Ruben Juarez’s celebrated Cafe Homero…in 2003 she appeared in the movie “Yo No Se Que Me Han Hecho Tus Ojos” dedicated to Ada Falcon…she is an impassioned campaigner for women’s rights especially equal pay and reproductive rigthts