Archive for the ‘ Female ’ Category

1983, February 20 – “CHANY” DEAD AT 28

Luis Hernandez, an accomplished, self-made man, was stunned at his sense of powerlessness; his beloved Rossana was dying and he could do nothing about it…he had brought her to his country retreat away from everything where hopefully with his love and attention and prayer she might recover and yet inspite of it all, she was deteriorating…they were resigned to the inevitable but at least they could still get married, doctors assured them that there was time for that and so with great delight, they immersed themselves into the plans for that beautiful day ; but fate would deny them even this for on the evening on February 20, 1983 with him by her side, holding her hand, whispering of better things to come, she passed away…she was 28 years old…Rossana Ines Falasca “Chany” was born in Humbolt, Argentina on Aril 27, 1953 (Taurus) to Ado, a struggling  Italian immigrant tailor and Filomena Theler daughter of Swiss immigrants; she was the third of six children in a family full of music…

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Her father was a singer and in the evenings he had his own little group which brought in a little extra money…already from a young age Rossana was different, sensitive, inquisitive, philosophical and in fact later she would be a student of Zen and a practitioner of yoga….when Rossana was ten years old, Ado noticed her singing spontaneously in perfect pitch and he was inspired to create a singing duo of  ”Ado and Chany”…one day in a performance at the town of Rafaela, a producer from the show “Grandes Valores del Tango” heard Rossana sing and invited them to Buenos Aires…at her audition she sang one of the only two tangos she knew “Madreselva”; the response was electrifying and at the age of 16 she was offered a four-year contract…from there her career very quickly took off…in November of 1982 during a routine medical examination a malignant tumor was detected and she was immediately rushed to surgery; the prognosis however was not good…dealing with fear and pain, Rossana courageously continued her career completing tours of Latin America and the United States where she lived for a while…she was to star in three films…at her funeral one of  the legions of  her fans said, “I was only ten years old when I first heard you….you gave me the gift of so much tenderness and you shall always be in my heart”

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  • CLICK HERE – http://www.youtube.com/watch?v=CosGKs3YS1Y to see “Chany” sing in her last performance “Soledad” where the lyrics say, “I refuse to hear that from, your sweet life, you have torn me out…my soul pleads hopelessly for the call that will never arrive”
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1998, February 12 – PREMIERE OF SAURA’S “TANGO”

Mario is devastated, his wife has left him for another man and to make matter worse, he has to see them together every day as they are dancers in the tango film he is making…the financier of the film, a powerful and dangerous man, asks him to give a part to Elena, a young, beautiful dancer who is his lover (Elena is played by Mia Maestro who would later star in “Frida”, another film with a tango scene in it)…Mario eventually falls in love with her and the two begin an affair together risking both their lives; in the mean time, the making of the tango film goes on….it is roughly a remake of the mythical Moglia Barth “Tango” of 1933…it won a nomination for an academy award and has won awards in film festivals all over the world primarily for the dancing and the cinematography which was created by academy award-winning Vittorio Storaro who also did “Last Tango In Paris”…”Tango”, one of the best tango films of all time was directed by renown Spanish director Carlos Saura, famous for his combination of passion and dance in films like  ”Carmen” and “Flamenco”…Janet Maslin, the New York Times critic was to write of the film, “Tango offers transfixingly beautiful glimpses of the dance and all the wide range of emotions it can conjure”

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One of the most exciting scenes in the film occurs when mythical tanguero Juan Carlos Copes dances with his daughter Joanna Copes…Copes is one of the last remaining of the great, authentic, tangueros of the golden era who has done everything in tango for 50 years…he began dancing as a young boy in the bars and clubs of Buenos Aires; his hero was Gene Kelly …but he had decided on a career as an electronic engineer when at the age of 20 he happened to win a tango contest in which 300 couples were competing…it launched a career which would take him all over the world…the film also featured a young singer Roxanne Fontana who would  go on to become one of the most gifted and versatile  tango singers in history…”Tango” includes a clip from the 1955 classic “Mercado De Abasto” in which Tita Merello sings her great hit “Se Dice De Mi”…Juan Carlos Copes got to meet his hero Gene Kelly who summoned him to his house in his waning days … “tango”, Copes  says, “is the only dance that allows imagination and creativity to form in three minutes and to become a history of love and of hate”.

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1950, February 8 – BIRTH OF MIMI CHO

Singer (Aquarius) – the final diagnosis was in, he had accepted his fate; he was at peace even as his days were diminishing…he asked his beloved wife to record a CD of her inspirational music for him, “in this way I can hear your voice in heaven”, he said to her…these were immensely trying times for Mimi Cho; she would be left with the care and upbringing of her three daughters and one son; her deep faith would help carry her through…the same faith that helped the whole family move from South Korea to Argentina in 1988…it was her deep faith which she expressed singing in the choir of the Evangelist church…it had been her husband, in his supportive and loving way, to encouraged Mimi to enroll in the Franz Liszt Musical Studies Center to study opera with Aldo Moroni…one day while walking in her neighborhood of Villa Crespo (birth place of the legendary Osvaldo Pugliese), she heard Carlos Gardel singing “Mi Buenso Aires Querido” and it made her heart bleed, something had changed; tango was to be her destiny…

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With typical determination and discipline, she immersed herself into a serious study of its history, the dance, the orchestras, the music…she began taking lessons with the legendary Maestro Jose Colangelo who time later would say about Mimi “she was born to sing tango, she has the voice of an angel”…she then rounded off her preparation with Maria Eugenia Darrè, with whom she studied for 5 years…after years of study and dedication, the fateful day in 2005  had finally arrived; she did her first tango concert at the mythical Cafe Tortoni where she shared the stage with legendary poet Horacio Ferrer; the reception from its demanding audience was enthusiastic..“Never in my wildest dreams did I believe that one day I would be singing tango at Cafe Tortoni she commented afterwards…the next year she was invited to sing at the Bar Illustre de Buenos Aires; other venues were to follow…she is inspired by Susana Rinaldi, Luis Salinas and especially maestro Mariano Mores…with customary humility and gentleness in her voice she says “my ultimate dream is to sing at Carnegie Hall in New  York”

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1913, February 4 – BIRTH OF SABINA OLMOS

Singer (Aquarius) – another day was dawning, another sleepless night…she looked round the sparse, unkempt  room…on the night stand was the picture of her beloved Charlo…her thin, wrinkled hand was trembling as she slipped her wedding ring into her finger; the same  ring that her dear friend Eva Peron had given her so long ago…she opened the balcony door, walked to the edge, carefully climbed over the railing and jumped to her death…..many years had passed for Sabina Olmos since that young, happy girl full of dreams was working in the department store Casa San Juan and where in between attending customers she loved to sing…a customer had spoken about her to renown singer Amanda Ledesma who recommended her to radio station Radio Buenos Aires…the response from the public was enthusiastic; it was the beginning of a dazzling career…

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She was born in the Jewish neighborhood of Once (Balvanera), in Buenos Aires the birth place of  the great Juan D’arienzo…begining with a small part in“Canillita” at the age of 23, she would do 30 films in her career …perhaps her best film would be “Asi Es La Vida” which made her famous in all of Latin America and for which she won “Best Supporting Dramatic Actress” from the city of Buenos Aires…In the film “Carnaval de Antano” she sang with the legendary Charlo who would become the love of her life; they married in 1952…she never stopped loving him even after they divorced 17 years later and even after she accused him of having ruined her; she never had any children…she was a friend of Eva Peron and after the overthrow of Juan Peron she was blackballed….she and Charlo earned rave reviews singing in long tours abroad…she lived two years in Spain taking time to tour the US and Latin America always in grandest of opulence…but for the last 20 years of her life she endured one vicissitude after another; she was practically alone and forgotten living on the edge of poverty from a small pension…that fateful morning, the note she left on the table read, “please forgive me for my decision and please pardon me for the occasional bother  that I have been”.

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CLICK HERE – http://www.youtube.com/watch?v=6dqQRl7dYeM to see Sabina Olmos sing “Muchachita Del Campo” composed by Francisco Lomuto with  lyrics by film director Manuel Romero

1955, February 3 – PREMIERE “MERCADO DE ABASTO”

In the film, Pauline rushes home to tell her beloved that she is pregnant; he is gone and has taken her money to feed his gambling vice…meanwhile in the market of Abasto where she works, a fruit vender who has been secretly in love with her for many years, helps her…later, believing himself to be on his death-bed, he offers to marry Pauline so that she and her child can inherit his modest wealth…still later the unscrupulous gambler returns hoping to reunite with Pauline; she decides to stay with the fruit vender…Tita Merello is Pauline…in reali life she was always Pauline and in fact she says, “My best character is the interpretation of my own self”…she had a tough childhood, abandoned early on to a series of orphanages…“my childhood was short, sad and ugly” ; she once admitted, without shame, to having had to resort to prostitution  to survive…Tita Merello was to be a woman of many men, but her true love was only one, actor Luis Sandrini whom she met on the set of her first film in 1933, “Tango”…after ten years of marrigae, he would leave her  for a younger actress..

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In the film Tita sings her hit milonga “Se Dice De Mi” which is one of the most viewed and instantly recognized scenes in all tango film history; it would be inserted in 1998 into Carlos Saura’s academy award nominated “Tango”...premiering at the Gran Rex Theater in Buenos Aires, Mercado De Abasto was directed by Lucas Demare, brother of legendary composer Lucio Demare..born July 14, 1910 (Cancer), Lucas was one of the pioneers of Argentine film history; he directed and wrote more than 40 films in his career…he was the son of an Italian immigrant father who was himself a violinist…the market of Abasto in Buenos Aires is one of the pivotal areas in tango history…at the turn of the century it was a beehive of human activity; of the kind where tango was born…brimming with cheap cafes and bars, pizza joints, itinerant musicians, prostitutes and frequent  knifefights, everything imaginable was bought and sold …Carlos Gardel grew up in the area, as did the director himself Lucas Demare as well as legendary musician and composer Horacio Salgan…the film “El Cantor del Pueblo” was also shot in the  market of Abasto…

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  • CLICK HERE –http://www.youtube.com/
  • watch?v=-sEUiCMLc0o to see a clip from the film “Mercado de Abasto” in which Tita Merello sing her great hit  “Se Dice De Mi composed by Francisco Lomuto and lyrics by Antonio Botta; the rendition is by the Francisco Canaro Orchestra

1933, January 23 – Gardel Records “LA CANCION DE BUENOS AIRES”

Who knows that if Carlos Gardel had not recorded “La Cancion de Buenos Aires” it might have been just another of the thousands of tangos with momentary flashes to then be relegated to the dust bin of oblivion…instead this piece, which was written by Orestes Cufaro and Azucena Maizani, is one of the most successful tangos in history…it would be hard to find a tango performer of renown who has not recorded it…twice it was made into a film; in 1945 directed by Julio Irigoyen and in 1980 directed by Fernando Siro…it was a minor hit for singer Alberto Castillo when he sang it in Manuel Romero’s 1948 film El Tango Vuelve a Paris…Orestes Cufaro was born in the city of Rosario, Argentina where his father was a pianist and an orchestra director…his father was his first teacher and it soon became evident that young Orestes was a child prodigy…he made his performance debut at the age of eleven at the Belgrano Cinema as the pianist for the Abel Bedruna Orchestra; he was so impressive that he soon found himself playing in the best cafes, cinemas and theaters in Rosario…

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At age 18 he made the big move to Buenos Aires where he debuted at Radio Prieto; along the way he met singer Azucena Maizani  who would record his first tango “Usted Sabe Senor Juez” ….within these circles he came to know playwrite and future icon of the Argentinean film industry Manuel Romero who asked him to write a theme song for his play “La Cancion de Buenos Aires”; for this he sought the collaboration of Azucena Maizani …Carlos Gardel was very fond of Azucena; he seemed to take an almost fatherly concern for her, frequently inquiring of Orestes about her well being…it was out of friendship for Azucena that Gardel agreed to record “La Cancion de Buenos Aires”….Orestes would compose a number of other hits including “Vencido” and “Una y Mil Noches”…Manuel Romero was one of the most successful lyricists in history; Carlos Gardel himself recorded 19 of his tangos…Romero would write 180 plays and direct 53 films in his career all them with similar characteristics; simple and heart-moving scripts where the typical characters were the poor young lover, the young rich girl in love with him and the cavalier son of a tycoon who vies for her hand

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1924, January 13 – 1ST RECORDED, “DOPADOS” (LOS MAREADOS)

“Los Dopados” was a melody which was written by Juan Carlos Cobian for the play by the same name which premiered on July 4, 1922 at the Teatro Porteno…it was soon forgotten…20 years later, legendary poet Enrique Cadicamo penned new lyrics to the music and converted it into a major hit which to out very days remains a favorite of tangueros all over the world and has been recorded by many musicians…in particular, it was a great hit for Anibal Troilo and his orchestra with the voice of Francisco Fiorentino in 1942…much later it would become a major hit for Adriana Varela and one of the most requested by her legion of fans…the lyrics say, “my soul harbors three things, love, regret, pain…it’s strange how our great and passionate love is no more…tonight we will get inebriated together and after this we shall never see each other again….I found you beautiful and foreboding in the mist of much champagne, laughing so as not to cry”

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It’s airplay did not last long…in 1943 the censor of the military dictatorship summoned Enrique Cadicamo to his office…the government, in a misguided campaign to modernize and change the image of Argentina, had imposed a ban on tango lyrics which made any mention of any form of  immorality or drunkedness…Enrique, cast a glance at the censor, calmly took a chair in front of the typewriter and began to rewrite the objectionable lyrics…he drew the paper out of the typewriter, rose from his chair and using an exaggerated tone of respect said, “is this better excellency?”….the censor, straightening his shoulders, with an air of  haughtiness said, “ah yes, much better Cadicamo”.…to the censor’s stunned eyes, Enrique reached out, grabbed the sheet from his hand, tore it up and said, “this is bull shit” and stomped out….six years later President Juan Peron, now in power and a supporter of tango culture, rescinded the ban and “Los Mareados“returned to its original form

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