Archive for January 10th, 2012


Francisco Canaro had the midas touch, he made money in everything he touched with one exception, film making…he was to say, “sound movies left me completely silent” “Con La Musica en El Alma” was his last film and it was in theory successful but not for Canaro, he had to sue his production partners to recoup his 400, 000 peso investment…not that he needed the money; he was undoubtably the richest man in tango history…a common saying to refer to some one of means was, “he is rich like Canaro”….after this attempt, he sold what was left of his Rio Plata Production Company…the film was based on the musical by the same name, written by Homero Manzi, which had been produced two years earlier…it was staged at the Teatro Casino and was headlined by legendary child actor Andres Poggio  ”Toscanito”,  and singer Alberto Arenas;


It was also the early start of actor Alberto Dalbes who would have a long and fruitful career in Argentinean films…Francisco Canaro, as well as providing the music, also had a small role…the play had a highly successful six month run and was then moved to the Teatro Artigas in Montevideo, Canaro’s home town…the success of the play inspired Canaro to convert it into a film which premiered at the Normandie Theater…Toscanito and Alberto Arenas reappear in the film with the addition of beloved comedic dancer Tito Luisardo who appeared in over 40 films to the delight of his legion of fans…the film was directed by Spanish film director Luis Bayon Herrera who found success in Argentina and remained there for the rest of his life…several notable tangos were featured like “Mataderos”; “Boliche de barrio”; “Sentimiento Gaucho” and Canaro’s intriguing Tango Fantasia in F…when Canaro died of a strange and rare bone growth disorder his immense fortune was apportioned between his French wife and his daughters born of his affair with a young, seductive chorus  girl he had met through one of his musicals



Composer, Leader, Bandoneonist (Capricorn) – as soon as Juan Peron came into power, Alfredo Attadia, declared himself an ardent Peronist and thus gave a great surge forward to his career; this was to have dire consequences for him years later when Peron was overthrown in 1954…he would find himself, like so many other artists, blacklisted and exiled; in the case of legendary poet  Enrique Santos Discepolo for example, it would hasten a premature death from a broken heart…..but this would come later, for now he was summoned to cut the tangos “Descamisados” and the march “Peronista” to be used for political propaganda by the Peron regime… a period of rapid ascendancy commenced; there was a lucrative contract with Radio Belgrano, performances at the chic Dancing Ocean Club and at the legendary Cabaret Moulin Rouge.. . in Montevideo his notoriety took a great jump forward when he began playing at the historic café El Ateneo


He was born in the neighborhood of San Andres in the town of San Martin which is just outside of Buenos a young Piazzolla, as a young boy he was mesmerized by the sound of the bandoneon; his father reluctantly bought him his first one…he had envisioned a professional career for his beloved son…eventually through  a family friend, young and shy Alfredo garnered an audition for an all girl’s orchestra and he was hired; at the age of 17 he debuted with them at the Cafe Paris…this was the start of a grand career including stints with some the best tango groups in history , Alfredo MalerbaAngelo D’Agostino and Rodolfo Biaggi for whom he wrote his first arrangements….with a young and ambitious Alfredo Di Angelis he formed his first orchestra which they called “Tipica Florida”…among his numerous compositions, perhaps his best was “Tres Esquinas” which he composed with Angel D’Agostino and was a great hit for vocalist Angel Vargas