1900, March 2 – BIRTH OF KURT WEILL

“Hurry, hurry Kurt…we have little time to waste, the car is waiting” he heard his friend’s panicked voice cry out; Kurt hastily grabbed the sketches of the second symphony he had been working on and with nothing but the clothes on his back, he rushed out…in fact merely  hours later the Gestapo arrived at his door but by now he was on his way to Paris: it was March of 1933…just months later, for the play “Marie Galante”, he would compose the immortal “Youkali Tango” whose mesmerizing lyrics say, “Youkali is the land of our desires, happiness, pleasure…Youkali is the land where we forget all of our worries…the star we follow is, Youkali…but it is a dream,a folly for there is no Youkali”…in his short and troubled life, he witnessed the turbulent, first 50 years of the twentieth century;  a period of political instability, upheaval and decadence leading to human carnage as the world had never seen before…Kurt would leave a substantial and varied body of work  including cantatas, chamber music, orchestral works, songs, musicals…perhaps his best known ballad is “Mack the Knife” which would be a massive hit for Bobby Darin

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His most famous pieces are the stage works he wrote in collaboration with playwrite Bertold Brechtoddly their estrangement would come finally over politics; Kurt was a passionate socialist, Bertold a passionate communist…he was born in the industrial city of Dessau, Germany…his father a synagogue cantor and composer gave him his first music lessons…young Kurt soon earned the nickname of the “attic composer” for his habit of secluding himself in the attic to compose…in September of 1935 he sailed for New York to work on Broadway where among others he would work with Ira Gershwin…the relationship with his beloved wife Lotte Lenya was turbulent and one day she ran away with Austrian tenor Baron Otto Von Pasetti and the couple divorced; four years later they would remarry…she would become a passionate supporter of his work…observing the intense and often violent encounters of political parties after World War I,  Kurt was to write ominously “the mob is just waiting for the call to pillage and revolt and their favorite target will be the jews”

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