Archive for January 23rd, 2011

1933, January 23 – Gardel Records “LA CANCION DE BUENOS AIRES”

Who knows that if Carlos Gardel had not recorded “La Cancion de Buenos Aires” it might have been just another of the thousands of tangos with momentary flashes to then be relegated to the dust bin of oblivion…instead this piece, which was written by Orestes Cufaro and Azucena Maizani, is one of the most successful tangos in history…it would be hard to find a tango performer of renown who has not recorded it…twice it was made into a film; in 1945 directed by Julio Irigoyen and in 1980 directed by Fernando Siro…it was a minor hit for singer Alberto Castillo when he sang it in Manuel Romero’s 1948 film El Tango Vuelve a Paris…Orestes Cufaro was born in the city of Rosario, Argentina where his father was a pianist and an orchestra director…his father was his first teacher and it soon became evident that young Orestes was a child prodigy…he made his performance debut at the age of eleven at the Belgrano Cinema as the pianist for the Abel Bedruna Orchestra; he was so impressive that he soon found himself playing in the best cafes, cinemas and theaters in Rosario…


At age 18 he made the big move to Buenos Aires where he debuted at Radio Prieto; along the way he met singer Azucena Maizani  who would record his first tango “Usted Sabe Senor Juez” ….within these circles he came to know playwrite and future icon of the Argentinean film industry Manuel Romero who asked him to write a theme song for his play “La Cancion de Buenos Aires”; for this he sought the collaboration of Azucena Maizani …Carlos Gardel was very fond of Azucena; he seemed to take an almost fatherly concern for her, frequently inquiring of Orestes about her well being…it was out of friendship for Azucena that Gardel agreed to record “La Cancion de Buenos Aires”….Orestes would compose a number of other hits including “Vencido” and “Una y Mil Noches”…Manuel Romero was one of the most successful lyricists in history; Carlos Gardel himself recorded 19 of his tangos…Romero would write 180 plays and direct 53 films in his career all them with similar characteristics; simple and heart-moving scripts where the typical characters were the poor young lover, the young rich girl in love with him and the cavalier son of a tycoon who vies for her hand