Archive for the ‘ Composers ’ Category

1937, February 22 – ROBERTO RAY RECORDS “SOLLOZOS”

“A man deceived me” she says humiliated and destroyed…the lyrics of “Sollozos” tell of the pity a man feels for a girl he finds sobbing…he notices a locket round her neck with a man’s picture in it; tenderly he counsels her, “forget your past, if he shed no tears for you, shed no tears for him”…originally composed by Osvaldo Fresedo in 1922 with lyrics by his brother Emilio Fresedo, the word “Sollozos” means sobs,; it was a major hit for the mythical combination of Osvaldo Fresedo with singer Roberto Ray…it was first recorded by Rosita Quiroga in 1922 without making much of an impact…through the man’s empathy and concern, she is strengthened; she remembers her mother, she recovers her pride…he remembers nostalgically her pained lips and the smile she gave him…Emilio Fresedo’s lyrics were no small reason for the attainment of his brother’s legendary status; some of their hits together include, “El Once”, “Canto de Amor”, “Siempre Es Carnaval”

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Unlike the overwhelming majority of tango greats, the Fresedo brothers came from a rich aristocratic family and there were heated battles with their father who had envisioned much more austere careers for his sons…in fact Osvaldo Fresedo’s music appealed to that part of the upper class that dared to admit that they loved tango…he was so popular that he kept several orchestras going simultaneously and Osvaldo would go from club to club to appear with each group for a few minutes before making his presentation at another venue…Roberto Ray with his refined, sensitive style was perfect for the Osvaldo Fresedo Orchestra and in fact they would work together for 30 years…Roberto Ray was born on December 21, 1912 (Sagittarius) in the neighborhood of San Cristobal, Buenos Aires…he started with Osvaldo Fresedo in 1931 and together they would create tangos that have never been out of popularity; hits like the legendary “Vida Mia”, “Niebla de Riachuelo” and “Recuerdo de Bohemia”

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1954, February 21 – BIRTH OF RAIMUNDO ROSALES

Poet (Pisces) – from the second floor of the tenement house, young Raimundo was mersmerized by the magical scene of a serious young girl practising her tango steps in the dusty yard….the girl, Maria Nieves would grow up to be a world-famous dancer, he would grow up to be a renown poet and writer of the some of the most evocotive tangos in history…Raimundo Rosales grew up in that poor neighborhood of Saavedra in a house where four families shared one bathroom…already as a young boy he had a curious and inquisitive mind and he would write of the things he saw and the things that moved him…one day, by accident he happened to see the album “A Homero” by Susana Rinaldi, a compilation of the great Homero Manzi’s lyrics; it was a life changing experience…in 1985 he entered a lyrics contest organized by the Universidad de Belgrano and won; the celebrated Lalo de los Santos was commissioned to set his twelve poems to music…

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But the life of an aspiring writer is not easy and he has had to wear many hats…he was a maker of handicrafts selling his creations in neighborhood festivals; in the day time he wrote for the local weekly that circulated his neighborhood…his proud creation was a monthly music  magazine  “La Luna de Saavedra”; in his first issue he interviewed the legendary Roberto Goyeneche but with deep disappointment, after a ten-year run, he had to fold it…he then embarked on his metaphorical search for the holy grail in Spain but after six years he headed his soul’s voice and returned to his boyhood home in his beloved neighborhood of Saavedra…in 1997 his “Fantasma de Luna” earned him another victory in a contest sponsored by La Maga Magazine ….other awards and recognitions were to follow for his poems, many of which have been set to music….he has published three books of poems “Ciudad Malvon”, 1977, “A Pesar del Mar”, 1985, and “Todo Es Aqua”, 2004…he has taught a specialized course on the writing of lyrics at the Programa Cultural En Barrios.

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1881, February 19 – BIRTH OF GABINO C. PENALOZA

Descending on his mule from Chilecito, Gabino Penaloza was very alone but at home among the stark, natural beauty of its cliffs and valleys…it had been a particularly wet year and the aromas of nature were strong…nearing the town of Olta the trail became more boggy and in the distant he could hear the bellowing of the river…in fact its banks had overflowed and he was forced to wait for the water level to recede…that evening at the joyous town gathering, was when he first saw the lovely, demure girl playing the piano; in the coming days they would spend much time together and fall in love…finally the water had receded and he could continue on his journey  but he promised he would return as soon as possible…but on the day of his return his beloved was no where to be found….the discovery that she was pregnant had brought great shame to the family and they had spirited her off in a hastily arranged marriage; the year was 1903…it was this crucially painful experience which was to be the inspiration of his poem “Caminito” which in time, along with “El Choclo” and “La Cumparsita” would become one of the three most beloved tangos of all time

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Gabino Corea Penaloza  (Pisces) born in La Paz and from early on he showed an inclination to poetry but at the age of 15 he moved to Buenos Aires where by day he did a number of jobs and by night he wrote poems; in time they would begin to appear in the renown “Caras and Carretas” magazine…he would frequent the cheap cafes and bars where he was friends with aspiring musicians and singers like a young Carlos Gardel and especially Juan de Dios Filiberto who would compose the music for “Caminito” and with whom Gabino would collaborate on several other tangos including two hits, “El Besito” and “El Panuelito”…he would publish three celebrated books of poems some of which would be used by a number of composers…but he had a difficult and trouble ridden life in the big city and at the age of forty-five he followed his heart  to his beloved Chilencito where with his books and poems he lived to the age of 95 haunted to the end by the memories of that beautiful girl playing piano and the son he never met.

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1886, February 17 – BIRTH OF GENARO ESPOSITO

Leader, Composer, Pianist, Bandoneonist (Aquarius) – Genaro was perched precariously on a step-ladder with nail and hammer in hand, concentrating on the hanging of a picture when his guest bellow uttered a phrase that almost made him fall, “would you like to help me organize a group to play in Paris”...little did he suspect what an epic saga his life was about to become…Paris was a dream that a boy born to struggling Neapolitan immigrant parents in the neighborhood of San TelmoBuenos Aires did not dare to have; and yet, here he was on a cruise ship heading toward Paris, the cultural capital of the world…but on the way tragedy struck, the violinist of the group, Victor Jachia, suddenly had a massive heart attack and died…Genaro Esposito was devastated but with typical “porteno” resolve he persevered and survived initially playing in Marseille for spare change…In time his “Orchestre Argentine Genaro Esposito” would become the toast of Paris performing in its most prestigious clubs, ”El Garron”, “Casino de Paris”, the “Coupole Dance Club” and later critically acclaimed European tours

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Genaro would be a big factor in making tango a boom in Paris and therefore the world…in 1934 at the height of success he fell in love with a beautiful young French girl, Jeanne Vent…she rewarded him with the birth of a boy “Claude” of whom Genaro was immensely proud but then tragedy struck for the second time, Jeanne died leaving him to the care of their 11 month old child…he was never quite the same again…on June 14, 1940 the unimaginable happened, the German army entered Paris…interestngly, as they entered they played the San Lorenzo march composed by Cayetano Silva in 1901…a pall descended upon the city….little by little Genaro had to sell everything he owned just to eat; what little money he could earn came from playing his bandoneon for drunken German soldiers on leave from the Russian front……he had an opportunity to return to Buenos Aires but he steadfastly refused, he was a loyal French citizen now and he would stand by her and by his beloved Paris…sadly, the end came on January 24, 1944 when he succumbed to complications from pneumonia; as per his deathbed request, he was buried next to his beloved Jeanne…just seven months later allied forces would liberate Paris…with “Le Marseillaise“ still reverberating in his soul, General Charles de Gaul, in his liberation speech proclaimed, “Paris, Paris!, Paris outraged!, Paris broken!, Paris Martyred! but Paris liberated!.

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1861, February 16 – BIRTH OF ANGEL VILLOLDO

Singer, Lyricist, Guitarist, Pianist, Violinist, Harmonica (Aquarius) – he was a fascinating man, a sort of Ernest Hemingway and Bob Dylan all in one…he was a prolific composer and lyricist having written some of the most beloved tangos in history….his immortal tango “El Choclo” was so ubiquitous that during World War I, German officers wishing to honor a visiting Argentinean dignitary mistakenly played El Choclo believing it to be the national anthem…year later Carlos Disarli would record one of its most successful versions in history…it continues to our very day to be one of the most instantly recognized pieces of music in history and yet when it premiered at the exclusive “El Americano” restaurant in Buenos Aires, the leader of the orchestra had to disguise it by calling it “Danza Criolla” as the owner did not like tango music…Angel Villoldo was born into a destitute family in the neighborhood of Barracas…he quit school early to work and did many types of jobs including teamster, herdsman, topographer, writer and circus clown….

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But he heard music always in his mind and when he was guiding his team of horses through the mud or hostile elements he was composing in his head….he began acquiring fame performing his composition while accompanying himself with guitar and harmonica in the local cafes and bars; in 1889  he published “Cantos Criollos” a book of lyrics meant to be sung with guitar accompaniment….interestingly, he invented the apparatus which allows the playing of the harmonica while strumming the guitar which many years later would become the symbol of a young, tormented Bob Dylan…he wrote a sort of popular comics which were full of wit and sarcasm using the argot from the lowest rung of society…he devised a method of learning to play guitar using symbols called “Metodo America” which he published in 1917…his first tango hit “El Portenito”, was sung by Dorita Miramar in 1903 on the stage of the Parisien Varitè Show featured at the legenday Moulin Rouge…his “Cantar Eterno” was an early hit for the RazzanoGardel duo in 1917…for Gath and Chaves, he traveled to France to use state of the art recording equipment to record tangos and helped popularize tango in France; he wrote the lyrics for “La Morocha” which was the first beloved tango in Europe…and finally, he left as he came, poor, when he was run over by a tram at the age of 58

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1940, February 15 – ROBERTO RUFFINO RECORDS “ALMA MIA”

The lovelorn boy in “Alma Mia” says, “dear heart who are you dreaming of…I have come to disrupt your peace…but oh, don’t blame me, for you see I am a bard…whose only wish is to weave into your sweet dream, a porteno lyric inebriated with love” …this was a major hit for singer Roberto Ruffino; he was 18 years old and earning sums of money he had never dreamt of…in the late 50s, with the tango fashion now waining, he would begin a second simultaneous career as a pop singer under the alias “Bobby Terré” on Radio El Mundo and when he sang before its live audiences he would wear a mask and be billed as the “Masked Bobby Terre”…he was born January 6, 1922 in the mythical neighborhood of El Abasto, Buenos Aires…he began singing in the Cafe O’Rondeman, the same one that launched Carlos Gardel.

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His major break came in 1938 when Carlos Garay, the agent for Carlos Di Sarli, happened to hear Ruffino singing and liked what he heard; he recommended him to Di Sarli..his first recording with Di Sarli, “Corazon” with lyrics by Hector Marcò which he recorded on December 11, 1939 was a hit…he would record 46 tangos with Di Sarli…In 1944 he launched a solo career debuting on Radio Belgrano where he was backed by his own orchestra directed by the respected Atilo Bruni…he had brief stints with the  Francini-Pontier, Miguel Calo and Anibal Troilo orchestras…he was also an accomplished composer and lyricist of popular tangos like Sonemos which was recorded by Hugo Duval with the Rodolfo Biagi orchestra and “El Bazar de Los Jugetes” which was recorded by Alberto Podestà with the Miguel Calò orchestra.

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1891, February 13 – BIRTH OF IGNACIO CORSINI

Singer, Composer, Poet (Aquarius) – Soccorro Salamone was desperate, for not only was she poor but the blemish of being an unwed mother meant that her young son Ignacio did not have much of a future; his father, a certain “Corsini” had disappeared as soon as he found out that she was pregnant…….these were tough time in the ancient greek town of Troina, Sicily whose historical relics date back to the 7th Millenium BC…40 years later, Troina would be the seat of a famous World War II battle between Nazi and Allied forces commanded by General George S. Patton…..one day, mustering tremendous courage, young Soccorro with little Ignacio in tow, mounted a horse carriage and descended Troina to begin the long journey to Naples where she boarded a ship to Buenos Aires…she settled in the neighborhood of Almagro and began working long hours as a washer woman…when Ignacio was ten years old they moved to the country where the boy began working as a herdsman and ox driver…many years later, reflecting on those long solitary hours in the countryside, Ignacio Corsini, now a famous and successful singer would say, “birds taught me the spontaneity of their singing, in the great scenery of nature…to sing like them, naturally with no effort”…

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Around the age of 17 he met a circus clown Jose Pacheco who introduced him to the theater and by the age of 21 he had already achieved a certain amount of fame and prestige…from Pacheco he obtained one other thing, his daughter Victoria whom he would marry in 1911…in his autobiography he would write that it was, above all, her encouragement during difficult times that was responsible for his success; he would remain loyal to her for his whole life…On May 12, 1922, in the one-act play “El Bailarin del Cabaret”, he premiered “Patotero Sentimental” which was his first major hit…his only composition to become successful was “Tristeza Criolla” which in the 40s was a major hit for singer Angel Vargas…Above all, it was his renditions of the creations of the team of Enrique Maciel as composer and Hector Blomberg as  lyricist which would make his name legendary…the loss of his wife from a debilitating disease left him sad and embittered; she was his whole life…dedicating his performance to her, he sang for the last time on May 28, 1949 on the show “Argentinidad” on Radio Belgrano

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1950, February 8 – BIRTH OF MIMI CHO

Singer (Aquarius) – the final diagnosis was in, he had accepted his fate; he was at peace even as his days were diminishing…he asked his beloved wife to record a CD of her inspirational music for him, “in this way I can hear your voice in heaven”, he said to her…these were immensely trying times for Mimi Cho; she would be left with the care and upbringing of her three daughters and one son; her deep faith would help carry her through…the same faith that helped the whole family move from South Korea to Argentina in 1988…it was her deep faith which she expressed singing in the choir of the Evangelist church…it had been her husband, in his supportive and loving way, to encouraged Mimi to enroll in the Franz Liszt Musical Studies Center to study opera with Aldo Moroni…one day while walking in her neighborhood of Villa Crespo (birth place of the legendary Osvaldo Pugliese), she heard Carlos Gardel singing “Mi Buenso Aires Querido” and it made her heart bleed, something had changed; tango was to be her destiny…

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With typical determination and discipline, she immersed herself into a serious study of its history, the dance, the orchestras, the music…she began taking lessons with the legendary Maestro Jose Colangelo who time later would say about Mimi “she was born to sing tango, she has the voice of an angel”…she then rounded off her preparation with Maria Eugenia Darrè, with whom she studied for 5 years…after years of study and dedication, the fateful day in 2005  had finally arrived; she did her first tango concert at the mythical Cafe Tortoni where she shared the stage with legendary poet Horacio Ferrer; the reception from its demanding audience was enthusiastic..“Never in my wildest dreams did I believe that one day I would be singing tango at Cafe Tortoni she commented afterwards…the next year she was invited to sing at the Bar Illustre de Buenos Aires; other venues were to follow…she is inspired by Susana Rinaldi, Luis Salinas and especially maestro Mariano Mores…with customary humility and gentleness in her voice she says “my ultimate dream is to sing at Carnegie Hall in New  York”

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1903 February 7 – BIRTH OF FELICIANO BRUNELLI

Leader, Composer, Pianist, Accordianist (Aquarius) – he was not one to get easily discouraged…his father had taught him to be persistent and there was certainly one area in which he had no lack of self-confident; his musical ability…and so having been refused an audition for having shown up without of an appointment, he stopped in, at the hall of RCA Victor Studios, took out his accordion and began playing his waltz “Illusion de Mi Vida”…everyone looked up immediately and soon he had an enthusiastic crowd surrounding him…hearing the commotion, a producer came out and was amazed at the scene before him…he was given a contract and the very next day, September 9, 1933, Feliciano Brunelli  recorded his waltz “Illusion de Mi Vida” which became a hit….his “Amor Gitano” would become the theme song for the celebrated Glostora Tango Club…Felicano Brunelli was certainly one of the most successful tango musicians in history; he recorded 763 numbers with RCA Victor and would remain popular for over 40  years…he was one of a select few musicians whose picture hung proudly on the “wall of honor” in the main offices in New York City

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He was born in Marseilles, France but his parent were italian immigrants…his father was an accordion tuner and maker of stringed musical instruments…this was however, a time when the racism against Italians was very strong in Mareseille  and when Feliciano was five years old, his father transferred the family to the city of  Rafaela, Argentina in search of a better life for his family…from his father he learned to play the accordion, in Rafaela he took piano lessons and it soon became evident that young Feli had special talent…he began to play with groups in the cafes and clubs in his town while he was still a young teenager and he soon developed a dedicated following…one of his fans recommended him to a producer at the Odeon Record label who promptly summoned the boy for an audition and hired him…Renown violinist Elvino Vardaro was passing through Rafaela and hear about Feliciano and he took him to Buenos Aires, providing lodging in his house and introducing him to the world…in time he would become famous and popular

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2002, February 2 – Dutch Crown Prince Weds Argentinean

The beautiful princess, robed in an ivory-coloured, silk, Valentino gown with a five-metre lace train sitting next to handsome Crown Prince Willem-Alexander, could contain herself no longer and as the orchestra played Piazzolla’s “Adios Nonino” large tears began to roll down her eyes and she caressed the prince’s hand with her thumb…yes she was latin after all, she had said as much in an interview, “I am Latin and I will continue being Latin…I dance, I sing and I will keep on dancing and singing.” …for Maxima Zorreguietta, born May 17, 1971 in Buenos Aires (Taurus), this was a moment which surpassed even her wildest dreams…little did she realize who that blond young man was, whom she met in Sevilla Spain that day; all he said was that his name was “Alexander” and when he came to New York to visit her, she had to jar her memory a bit to remember who he was…later when he said he was a Prince, she laughed; she thought he was joking…among the dignitaries present at the wedding ceremony that day, were Prince Charles from the United Kingdom, the kings of Sweden, Norway and Belgium, the queen of Denmark, Crown Prince Naruhitoof Japan,  and Queen Noor from Jordan…acclaimed violinist Vadim Repin played Carlos Gardel’s “Por Una Cabeza”

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Conspicuously absent was the father of the bride Jorge Zorreguietta…he had served as a high level minster for the brutal dictatorship of General Jorge Videla; the same one who instigated the “dirty war” in which 10,000 to 30,000 men, women and children disappeared…when the news of the impending wedding came out it created a firestorm in the Dutch Parliment…an investigation was conducted which concluded that it was highly unlikely that a minster of that level did not know of the government’s campaign of atrocities…the issued was finally settled when the father elected to not attend the wedding…the streets outside were a mass of orange as 80,000 spectators waited in the winter sunshine for a glimpse of the couple who finally appeared in a gilded carriage, escorted by more than 200 royal grenadiers on foot and on horseback…Princess Maxima smiled generously and waved to everyone; in time her popularity would surpass even that of the Crown Prince….And does the Crown Prince dance tango ? “I keep trying to push him” say Princess Maxima,“His hips are a little rigid”.

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